Priestesses

From the frescos, the statuary and other artworks, we know women had a lot of power in Bronze Age Crete. Seals show a female figure as several times the size of the male figure; that is assumed to be a representation of a Supreme Goddess with a less important consort or son beside her.

Other works show figures in the traditional clothing: the short, tight short-sleeved jackets and long skirts, with elaborate headdresses. Two very famous statues show these women holding snakes (which were sacred.) These, it is theorized, are the Priestesses.

In many cultures, women were expected to know prayers/spells and make regular offering to the Gods to safeguard their homes and families. The Bronze Age was an age when many women died in childbirth (estimates rise as high as half) and miscarriages and stillbirths were common. Women employed amulets, prayers, and appeals to wise women to help them attract their love, inspire pregnancy, make the birth easy, keep the baby safe and more. These practices continued up through Roman times.

Christianity does not have priestesses. The only formal avenue for women in their worship is to become a nun. The spells, love potions, amulets and so one went underground, to women who became feared as witches.

In Ancient Crete, women would have been responsible for the prayers and sacrifices to keep their homes safe. Clearly, as shown by the above statue, there were other women whose responsibilities were far greater.

In In The Shadow of the Bull,

I imagined a class of Priestesses who lived separately and were responsible for all the rituals involving appeals to the Goddess. This was their profession. I suspect these women would have also attained a high degree of political power as well so, in my reconstruction of the world, I made the female ruler also the High Priestess with the others below her.

I will be taking a break for the next few weeks but I will return the last week of October.

Women’s work in Ancient Crete

Women have always worked. And up until the modern era, their jobs they’ve done remained fairly consistent.

First and foremost, the care of children. The work that women have done has been tasks that can be scheduled around childcare.

Across cultures, women have been responsible for food production – babies can be brought to the garden – and clothing their families. Although men did some farming, they owned oxen, most of the crops they relied upon were not cereals but orchard crops such as olives and grapes.

Weaving, up until modern times, has always been one of a woman’s primary jobs. Without the textiles the women made, there would be no cloth. Flax – and linen – known since Neolithic times, was joined by wool. Wool is easy to work with since it has a little more stretch than linen. Wool comes in a variety of shades, black gray, cream and more. It takes dyes easily as well How can we be sure they were weavers? Spindles and looms weights have been discovered in the excavations. I saw them myself in Akrotiri, a town buried by ash and now being revealed.

The Minoan men traded these textiles all over the Mediterranean.

The designs were very complicated, so complicated we can only assume a long learning curve, especially if the patterns had to memorized. One of the popular patterns consisted of heart spirals set point to point with red diamonds in the center. Colored spirals were another favorite. How do we know this? Statuary and wall painting depict gorgeously clad women in elaborate clothing dancing, picking saffron, and more. And not just in Crete either. The patterns have been recorded by Egyptian artists.

No wonder Nephele, Martis’s mother is horrified when Martis refuses to become a weaver.

It was not until the Industrial Revolution and mechanization of weaving that hand weaving ceased to be an in-house task and a profession.

Next time: Priestesses.

Albany Book Festival and More

Last Saturday I attended the Albany Book Festival at the Albany University Upper Campus. This is always one of my favorite events as it gives me a chance to talk to both other writers and of course many readers.

Jacqueline Boulden, Carol Pouliot, Chris Keefer, Amy Patricia Meade, Syr Lazlo, Catherine Bruns, Eleanor Kuhns – some of the Mavens of Mayhem.

My contest on Fresh Fiction has been extended through October. Follow this link: https://gleam.io/Jghrh/eleanor-kuhns-september to join and possibly win a copy of my new book, In the Shadow of the Bull, as well as A Simple Murder and a $10.00 Amazon gift card.

Very excited to announce I will be speaking at Newburgh Free Library next Wednesday, October 4 at 6:30. The event is free.

Dyes in Bronze Age Crete

First, a note. My website went down on Friday for some as yet unknown reason. However, after a discussion with Bluehost, it is now working again. So, this is the blog I would have written on Thursday.

This Bronze Age civilization was the pinnacle of sophistication and culture in the Mediterranean. Their art – the paintings, mosaics, sculpture, jewelry – even their pottery – was much sought after. Excavations on mainland Greece, Turkey and Egypt have found remnants of these trade goods.

They were also noted for their textiles, especially a purple dye. The murals, sculptures, and sculptures reveal clothing dyed many colors. Indigo was known. (In fact, our name for this blue comes from the Greek name – which went into Latin – for Indian. The dye was originally exported from India. Madder was also known, although the Minoans also knew of the cochineal beetle for scarlet.

But the dye for which they are known is Tyrian purple, a deep color extracted from tens of thousands of murex snail shells. The dye was so expensive that it became known as Royal purple.

The one color they did not have was green unless they overdyed blue and yellow. A green dye was discovered in the 1800’s, but since it was made with copper arsenide, it was incredibly toxic.

Makeup, Hairstyles and Clothing for Minoan Women

What do we know about the cosmetics used by the women in Ancient Crete and the clothing they wore? Because we have no written records, archaeologists (and writers like me) are forced to rely on interpretations of murals, statuary and other art work.

Cosmetics were commonly used in the Ancient World: Egypt, the Middle Ages, and Asia. In Egypt and Mesopotamia, they were used by both men and women and all classes. Kohl was the most commonly used cosmetic. Kohl was made from galena, a dark gray ore and crushed charcoal, mixed with gum or water to make a paste. Cosmetics were so important cosmetic palettes were found buried in gold with the deceased’s grave goods.

Kohl was used for lining the eyes, like modern eyeliner. It offered health benefits in the form of protection from disease, bugs and sun rays. Red ochre clay was ground up and mixed with water to create a paste to paint on the lips and cheeks.

The murals also show the hairstyle fashionable at that time. Locks of hair were brought over the front of the shoulders. Most of the hair was drawn back from the forehead and decorated with pearls, gold beads or gems. Both sexes wore their hair in this manner.

Note in the graphic above the white ribbon at the back of the women’s necks. This was a sacral knot worn by the priestesses.

Finally, the murals and statuary depict a certain style of dress. All the women wear long skirts, usually ruffled or arranged in tiers, with a short short-sleeved jacket. Opinions vary about what women wore under the jacket. Were they nude or did they wear a blouse? It is difficult to tell from the artifacts available to us.

Below, a statue of a goddess or priestess holding snakes.


Minoan statue

Notice the elaborate belt around her wasp waist. Apparently, tiny waists were also the fashion and tight belts were worn to accentuate it. These wasp waists and tight belts were worn by men as well as by women.

This is the setting I use for In The Shadow of the Bull, a mystery set in Bronze Age Crete. Martis’s preference for more comfortable clothing, and only a loincloth when she is bull leaping, is frequently mentioned. As she grows up, she too adopts the tiered skirt with its tight belt and the short-sleeved jacket.

Why is Martis so young?

One of the questions I’ve been asked consistently is why Martis is so young. Martis is a fifteen year old-aspiring bull leaper, When her sister dies at the altar on her wedding day, and Martis is told by her sister’s spirit that she was murdered, Martis takes on the responsibility of investigating.

Isn’t a fifteen year old too young? We would certainly think so. But the average lifespan then, and through most of human history, was only about forty.

This is a somewhat misleading statistic since the average lifespan was brought down by maternal death during childbirth. Illness and accidents, and of course war injuries, account for significant mortality. Still, a few of the bodies disinterred from graves, even from this time, indicate some people survived to their sixties or even their seventies. But that was not common.

All of life’s milestones were earlier. Women married in their teens and were grandmothers in their thirties. Many of the seasoned warriors described in the Iliad were barely in their twenties.

The other factor is that any bull leaper would have to be young: fast, agile and strong. Even now, with all the benefits modern health has to offer, sports figures in their forties are a rarity. I make a point of emphasizing that most of the bull leapers age out of the sport by their late teens. At fifteen, Martis is already facing the end of her career as a bull-dancer.

Food in Ancient Crete

What did they eat in Ancient Crete? Archaeologists struggle with determining the food eaten by ancient peoples. The remains of bones – meat or fish – provides a clue. But what else do they eat?

We know the Minoan civilization already had the olive tree and were pressing oil. Grapes were harvested and fermented into wine long before the beginnings of the so-called Minoan society. What else? Since they had flocks of sheep and goats, and bones with cut marks have been discovered we are pretty sure they ate goat, lamb and mutton. What about beef? Well, they had bulls (for the bull leaping) so maybe they ate beef.

What about cheese? They would have had milk, goat and sheep milk at least. Although there are theories, I haven’t found a definitive answer on cheese.

Vegetables and grains are tougher. We know they grew herbs, at least for medical and religious uses. Maybe they used them to season their food. The remains of grains have been found in bowls excavated at digs. But did these ancient peoples eat bread? Ancient Egypt had bread from about the fourth century B.C.E. Did they eat it earlier? Maybe. Since the ties between Crete and Egypt were strong, I assume that the Minoan culture also had some form of bread, maybe a flat bread. They certainly had beer and beer and bread were usually companions. Even in the Middle Ages, the bread makers and the brewers were part of the same guild. I took a calculated guess and had my characters in In the Shadow of the Bull eat flatbread.

No potatoes, no squash and no corn – these are from the New World and wouldn’t make it to Europe for another thousand years.

Willies and spirits

Why did I make one of my most important characters in In the Shadow of the Bull a spirit, a ghost if you will?

After Arge dies, poisoned as she stands at the altar on her wedding day, she returns as a spirit to ask Martis for help in identifying the killer.

Willies, spirits of young girls who were murdered before they married or had children, were a common feature of ancient myth. Sometimes they were good, sometimes not, but almost every myth includes the haunting of the family by these willies. It was necessary to perform the proper rituals to prevent disaster. The importance of young women living long enough to bear children is certainly striking, but I digress.

In Martis’ case, Arge is helpful – and also the voice of Martis’s subconscious. In this way, Martis can have help figuring out what she’s seen and heard without involving someone who might be a suspect.

Santorini andAkrotiri

The volcano underneath Santorini is not extinct. It has continued to erupt and spew lava.

The small volcanic island off Santorini’s coast is made up of the cooled lava coming from beneath the ocean.

We hiked up to the top of this island, and it was really hot too. Since it is being added to, this little piece continues to grow.

When the volcano exploded in approximately 1450 B.C.E., it spread ash as Far East as Turkey. Archaeologists discovered a city on Santorini that had been buried in ash. Akrotiri is currently being excavated. Unlike Pompeii where entombed bodies have been discovered, no bodies have been found. So far, anyway. It is thought that they had enough warning to escape.

Thera/ Santorini

What led to the end of the Minoan culture? As you might expect, there are several theories. War? Invasion? Natural Disaster? The current favorite is a combination of the final two.

The Mediterranean basin has, in a sense, its own small ring of fire. Because the African tectonic plate is colliding with the western portion of the Eurasian plate, the area is subject to earthquakes and to volcanoes. Two famous volcanoes are situated in Italy: Vesuvius and Etna. Both have erupted more than once during human history. Think Pompeii.

Next to Crete is a small island named Thera but now called Thera. In ancient times, it was a small circular island with a caldera in the center. Santorini now looks quite different, more like a comma with another piece a short distance away. Thera is the site of a volcano which blew in approximately 1450 B.C.E. It blew out the center of the island, depositing ash as far away as Turkey and causing a tsunami that, it is theorized, swamped the boats of the Minoan Navy. (This is where the second part – invasion – comes in. The Cretan society would have been seriously damaged and in disarray after such a catastrophe and would have been easy pickings for the early Mainland Greeks.)

This volcano is still active. It is under the ocean but continues to erupt, sending lava to the surface. The small piece separated from the larger island? It is now growing as the lava pushed up from below cools and is added to the baby island. Walking on the black volcanic stone is a strange feeling.

A cataclysm of such magnitude would not be easily forgotten. In fact it has been suggested, by Velikovsky and others, that this explosion was the germ of the Atlantis tale. Plato wrote about Atlantis and Velikovsky suggested the dimensions from Atlantis fit Crete if divided by 100.