Category Archives: Bronze Age

Labyrinths, part 2

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Is there a kernel of truth to the legend of the Minotaur? We already know there are many theories regarding the location of a labyrinth as described in the Greek myth. One theory mentioned previously is the complicated floor plan of the Knossos palace complex. Many of the Achaeans, the early mainland Greeks, would have come from halls with much fewer rooms so it is possible they saw the complicated and many roomed palace and were overwhelmed.

. A fragment of a floor with a labyrinth has been found during the excavation at Knossos. Was it decoration? Or something more? No one knows.

Or perhaps the maze as described in the myth hasn’t been found. Pieces of tablets from Knossos, talk about a place with a labyrinth. So far, no one knows where that might be. Or even if it was a different location.

What about the minotaur, a bull-headed man? Considering the number of ancient cultures who used masks to represent animals and/or Gods, it doesn’t take much imagination to guess a man wearing a mask played the part of the Minotaur in religious rites. Bulls were very important; sacred in fact in this Bronze Age culture.

Finally, we come to the core of the Theseus and Minotaur myth. The tribute of young men and women were chased through the labyrinth and consumed. The Minoans have the reputation for being a peaceful society. It is probably true that, because they were an island with an excellent Navy, they were well defended from outside invaders. But certain finds have suggested this society was not as peaceful as it appears to us now. Bones of children mixed in with the bones of bovines and sheep, and bearing the same cut marks, suggest they were eaten as the animals were. Were these ancient Cretans cannibals? Was eating human flesh part of their religious rites?

Another finding suggests human sacrifice. Three bodies, crushed by falling debris during an earthquake, seem to indicate the sacrifice of a young man by a priest. Many cultures sacrificed to appease the Gods. However, if they were sacrificing this young man to prevent an earthquake, they left it to late.

Labyrinths

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The word labyrinth is from Bronze Age Crete. Labrys refers to the double-headed axe used in religious rituals. It definitely was not a tool. Labyrinth did not refer to a maze. (Perhaps to a place of labors?)

The labyrinth in Knossos was made famous in the Theseus and Minotaur myth. To recap, Athens was required to send fourteen kids (seven girls and seven boys) to Crete to be consumed by the bull-headed monster the Minotaur. The monster is confined to a maze underneath the city so that neither he, nor the tributes, can escape. Theseus, the son of the Athens’ King, is included in one of the tributes. Ariadne, King Minos’ daughter, falls in love with Theseus and gives him a ball of string and a sword. Theseus successfully kills the Minotaur and uses the string to find his, and the other captives, out of the maze.

Was there a maze under Knossos? It is true that Crete is a nation of mountains and caves. Perhaps there was, exactly as the myth describes, and through the years the earthquakes and of course the volcanic explosion of Thera on Santorini has erased it.

Another theory posits that the interlocking rooms of the palace in Knossos, which comprised workshops, storage rooms, meeting rooms as well as apartments, was the original labyrinth.

Current excavations, however, have turned up a floor mosaic of a maze, as well as a fragment of pottery decorated with a maze. So, mazes were important to this society.

This is not unlikely, Mazes have been found in other long ago societies. A maze carved into rock has been found near Tintagel, Cornwall and spirals carved into rock at Newgrange. One author makes the claim that Glastonbury Tor is a maze.

Why Mazes? Were they a metaphor for birth and renewal? A quest to reach the center as a symbol of finding enlightenment? Or did the mazes in Ancient Crete have some religious purpose we don’t yet know?

On thing we can be sure of: a Minotaur did not sit at the center to eat the tributes for Athens.

Status of women in Bronze Age Crete

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One of the topics that came up regularly in my research concerned the status of women. Was this a matriarchal society that worshipped a Goddess? Did the women enjoy high status?

Here is what we know. The murals and the seals portray many women and on the seals the female figure is several times larger than the male figure.

As one might expect, scholars differed on the question. Some of the early archaeologists assert that women could not have had such high status because, well, they were women. How then to explain the prevalence of women in the murals? How to explain the large female figure in the seals?

One explanation is that this culture worshipped a Goddess, along with other Gods such as Poseidon and Dionysus. But the worship of a feminine Goddess did not translate into high status for women in general.

The discussion continues today with the disagreement over the gender of the bull leapers. A famous mosaic depicts both white and red figures jumping over the bull. Some scholars posit that the white figures were female, following the Egyptian fashion of painting male and female figures different colors. This theory is supported by the Greek myth of Theseus and the Minotaur in which seven girls and seven boys are sent to Knossos from Athens as tribute.

In my opinion, and based on the evidence offered by the mosaics, the seals and the myth ( the mainland Greeks tried to portray the Minoans in as negative light as possible), I believe women enjoyed a high status in this culture. Goddess worship is almost universally accepted.

Right or wrong, that is how I envision this culture in my mystery, In the Shadow of the Bull.

Theseus

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Bull leaping is probably one of the most well-known -if not the most well-known – image of the Minoan civilization. Most people believe the account written in the myth of Theseus and the Minotaur. It is important to remember the Greeks (the Mycenae and forward) borrowed a lot from other cultures. The civilization on Crete was very important. With that said, the Minoan civilization was Goddess centered while the Mycenae were patriarchal and that made a huge difference in how the invaders viewed the rites and rituals they saw.

In the Theseus myth, Minos exacts a tribute from Athens of 7 young men and 7 maidens to face the bull and perform bull-leaping. Minos’s daughter Ariadne falls in love with Theseus and gives him a ball of string to find his way through the labyrinth under the city and kill the Minotaur, (The creation of this beast is another story). Theseus does so, thereby freeing himself and the other tributes from Crete. He takes Ariadne with him but abandons her on another island. Great guy. She lands on her feet, though. Dionysus finds her there and marries her.

While tributes may have been pressed into service as bull-leapers, the bull-leaping was an integral part of the religious ceremonies. The bull was a sacred animal and the Cretan youth performed. Secondly, although there are caves, there are no labyrinths underneath Knossos and it is thought the pattern of building residences – all interlinked and connecting rooms – gave rise to the myth of a labyrinth.

And although labyrinth now means maze, the labys (the root of the word) was the iconic Cretan double axe. It had nothing to do with mazes.

Since the Classical Greeks seem to have been a dour lot, the ending of Theseus’ journey home has a sad ending. He’d told his father if he succeeded, and still lived, he would change the ship’s sails to white. But Theseus forgot so his father, seeing the black sails, thought his son had died. King Aegeus committed suicide

Ancient Crete and the Minotaur

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While researching Bronze Age Crete and Greece for my mystery series: First book – In the Shadow of the Bull – I spent a lot of time reading the Greek myths.

Most of us have at least a passing knowledge of the Greek myths. These are from the Classical period, a millennia at least from the heyday of Bonze Age Crete. That does not mean, however, that Crete was not hugely influential in these myths.

Take the myth of Theseus and the Minotaur, for example. Here’s the backstory. The Greeks revered Zeus. Poseidon wanted to be honored too so he sent a white bull to Minos, the King of Crete. Minos’s wife Parsiphae fell in love with the bull. She tasked Daedalus (yes, the inventor with the wax wings whose son was Icarus) to build a special wooden box in the shape of a cow. Once inside the box, she had intercourse with the bull. Nine months later she bore a half-man, half-bull. The Minotaur.

The myth reeks of patriarchy and a desire to, in modern parlance, throw shade on Cretan beliefs.

First, in Crete Zeus was not the primary God. He was an upstart, more akin to a harvest God, who died and was reborn.

We also don’t know if Crete had a King. Certainly it was a goddess centered, matrilineal culture. Many archeologists have assumed Crete had kings, but for decades these archeologists were men. Men, moreover, who lived with a strongly patriarchal structure. It is possible the Priestess’s consort acted as a wanax, or governor. Kingships came with the Mycenaeans, i.e. the mainland Greeks who finally occupied Crete.

Several ancient cultures revered the bull or, in Indo-Europe (the steppes) the horse. One of the rites was mock intercourse with this symbol of fertility by the Queen/Priestess. This act was supposed to guarantee good crops, lots of livestock and of course healthy children for the coming year.

But what about the Minotaur?

Well, many many ancient and not so ancient cultures employ masks in religious rites. Animals are a frequently the subject.  Is it so far a stretch to believe that the Minotaur is a masked man involved in a religious rite? I theorize that a rite performed in ancient Crete involved intercourse between the High Priestess’s consort who wore a bull mask.

Besides painting Theseus as a hero (which I dispute but more about that later), this myth spins Crete as decadent and deserving of conquest. By the Myceneans, naturally.

Knossos, major city of Bronze Age Crete

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Arthur Evans, who excavated Knossos, estimated the original Neolithic settlements on Crete stretch back to 8000 B.C.E. By 2000, the civilization had transitioned from wattle and daub huts to an affluent society marked by mis-named palaces. Misnamed because it is thought they were not simply the abode of the rulers but also governmental, religious and craftsmen centers. The remains of storage rooms were also discovered on this site.

Below are the large storage vessels known as pithy.

Knossos was destroyed several times. Crete is prone to earthquakes and there is a nearby volcano. Until about 1400 B.C.E. Knossos was always rebuilt.

Since the ruins were excavated Knossos has become a major tourist attraction. Some of it has been repainted in what is thought to be the original colors.

Here is one example: the so-called throne room. The lustral basin in the foreground and the griffins (a symbol of the Goddess) indicated that this chamber was probably used for religious purposes.

The above is one of the many frescoes in Knossos (with me goofing around in front of it.). It is called the cup Bearer and is, I think, an example of male Minoan fashions. Both men and women wore their hair with the three tresses over the shoulders and the remainder loose down the back. Headdresses and jewelry was also common to both sexes. and the wasp waist was high fashion.

I based my character Tinos on this piece of art.

Knossos was not the only city found. The ruins of others such as Gournia, to the east, were also excavated. Akrotiri, a Minoan colony, on another island, is currently being dug out from many feet of hardened volcanic ash.

Sacred Snakes

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The Bronze Age Crete civilization worshipped snakes.

Snakes are pictured on seals and in frescoes, and statuary of either priestess or goddesses, twine snakes around their waists and hold them aloft in what is theorized are religious ceremonies. (There were no venomous snakes in Crete.)

In my book, In the Shadow of the Bull, I suggest that one of the headdresses worn by a Priestess might have contained live snakes, thereby providing the germ to the Medusa myth. The reverence for these serpents is also interesting considering the Judeo-Christian version of the Snake in the Garden of Eden and humanity’s fall. But I digress.

Marija Gimbutas in The Living Goddesses discusses the frequency of snake goddesses in various cultures: the Baltic, for example and the Celtic, as a symbol of rebirth and/or fertility. Gimbutas writes that the Minoan divine snake symbolizes regeneration. (The shedding of the snakeskin).

In any event, the figurines certainly lend credence to the importance of snakes in the early Bronze Age rituals.

Willies

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What are willies?

In Ancient Greece, Willies, sometimes described as nymphs or magical maidens, were the spirits of girls who died before their time (before marriage and motherhood) and returned as spirit beings, or ghosts, to our world.

As described in some of the folklore, if they died disappointed or abused and were not put to rest with the proper rituals, they would return and haunt their families, usually for nine generations. (The number nine appears to be sacred to the Minoans.)

Arge, Martis’s sister, would be considered a willie. Martis relies on her to help solve the mystery of Arge’s death. Would we consider Arte a ghost? Not exactly. She is a spirit but there is a mystical component to her in accordance with Minoan beliefs.

Is this where the phrase Gave me the willies came from. I don’t know.willies

The Bull

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The date for the release of In the Shadow of the Bull is now July 4 for the UK. No word on the release date in the US yet.

In an attempt to reveal what we know of this ancient culture, I thought I would begin with the bull. Bulls were sacred. I’ve read varying explanations. Is it because the Bull represented the male principle, even in a society with a Supreme Goddess? Is it because of the connection with Poseidon. also a God in this culture. (I have mentioned previously how much the Classical Greeks borrowed from the Minoans).

Whatever the reason, the mosaics, the statuary, the rites practiced were all centered around the Bull.

One of the practices was bull dancing or bull leaping. This is a feature of the Theseus myth. Since it was written by the occupying Greeks, it has a negative spin. In the myth, Minos, the ruler of Knossos, requires tribute from the mainland: 7 young women and 7 young men, to face the fearsome Minotaur in the labyrinth. (The creation of the Minotaur is another myth, a rather creepy one.) Theseus volunteers to be one of the tributes. Minos’ daughter Ariadne gives Theseus a ball of string and he is able to kill the Minotaur and lead the other tributes to safety.

Frescoes from Knossos show young men and women (probably teenagers) leaping over a charging bull. The bull dancer grasped the horns and flipped over the bull’s back. Another member of the team caught and steadied him as he landed. There seems to be no doubt that these performances occurred.

Remnants of mazes pictured in mosaics have also been found. But labyrinth, a synonym for a maze, is actually from the word labyrs, a sacred two headed axe used in religious rituals.

A stylized version of the bull’s horns, called the Horns of Consecration, were used everywhere. Examples have survived in Knossos.

In the Shadow of the Bull Cover

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So excited to show the cover for the first book of the new series of mysteries .

It really conveys the ancient era I think. And the bull, which was sacred to this culture, is as important as the people.