Weavers and weaving

In prehistoric sites, remnants of string skirts have been found. Plant fibers, twisted into cords, and knotted together. Think macrame. From this simple beginning arose weaving. Every culture has some form of weaving from the simplest form of loom to the more complicated ones used by hand weavers today.

The Egyptians used a ground loom that, to my modern body, looks uncomfortable to use.

How do we know the Egyptians were weaving so long ago? Well, there are pictures inscribed next to the hieroglyphics.. And also, remnants of clothing has been found in excavations. In 1913, Sir Flinders Petrie found a pile of linen cloth about thirty miles outside of Cairo. Years later, researchers from the Victoria and Albert Museum were sorting though the pile when they came upon a remarkably well preserved dress. It was nicknamed the Tarkhan dress and the age was estimated at 5000 years. Almost fifty years later, the dress was carbon dated and discovered to be from about 3000 B.C.E. Easily from Egypt’s first dynasty, maybe even before.

In Peru, the women employed a back strap loom.

The early Scandanavians used a loom with weights tied to the bottom threads.

The Navaho, who still weave blankets and so for sale, use a simple four piece frame.

In every culture, weavers enjoyed fairly high status. Although not aristocrats, they were among the skilled craftsmen – what passed for the middle class of that time. Without weavers, there would have been no cloth.

Textiles were time-consuming to make, and thus expensive, and learning to weave takes time. In the Middle Ages, an apprenticeship took between seven to nine years. Weave

I wanted to pay homage to this valuable craft. In my Bronze Age Crete mysteries, Martis comes from a family of weavers. (Yes, even in Bronze Age Crete, the women were weavers. Loom weights were found in Akrotiri. And the Minoans, who were the sailors of this age, traded the textiles all over the Aegean.) She does not want to be a weaver, hoping for something more exciting and adventurous – like jumping over a charging bull.

In the Will Rees mysteries, he is a weaver, a traveling weaver. Since women were not supposed to work or leave home, men like Will Rees traversed the early USA with a loom in their wagon bed, weaving for the farmwives.

What saw the end of several millennia of weaving as a profession?

Well, Rees is already seeing the end of his career with the importing of calicoes and other fabrics from India. But the real end to this profession came with the Industrial Revolution and the mechanization of weaving.

Welcome to Renssalaer Public Library

Very excited to serve on a panel on Saturday, November 2, 1 to 3 pm at the Library with some amazing other authors.

Meet the authors. Find out about paths to publication. Book signings!. Hope to see you there.

Age and Athletes.

The Olympics are associated with Classical Greece, where these games officially began.

But there were contests of athletic skill before that. And women participated. At least we know they did in Sparta. (Some of the writings by men in other areas were shocked by the freedom of Sparta’s women.)

Since the murals and frescoes in Knossos seem to display both male and female athletes, I chose to believe the young women in Minoan Crete also engaged in races and other games of skill.

And with the Summer Olympics are going on now, I’ve reflected on the athletes who are competing.

I’ve gotten more than a few questions on the youth of my protagonist. (Martis is 16.) Here’s my question: do you think a forty-year old has the stamina, the speed, and the fearlessness to run at a charging bull?

Even in the 2024 Olympics, the athletes tend to be young. One of the skateboarders is 11. Another competitor is 12. There are quite a few teenagers competing. DHINIDHI DESINGHU, a swimmer from India, is 14 years old.

Hezly Rivera. American gymnast, is 16. After Kamila Valieva, a Russian figure skater, won at fifteen (and then lost the gold because of a doping scandal) the age for competing in figure skating has been raised to 17.

The ‘old’ athletes in their late twenties are referred to as though they have one foot in the grave and the other on a roller skate. Simone Biles, arguably the best modern female gymnast, is the oldest competitor at 27 since the 1950’s. She’s referred to as a ‘veteran’ and ‘experienced.’So, a 16 year-old athlete is not an outlier at all, even now.

Partners in Crime Podcast

I had a wonderful time talking to Gina Hott about both my Bronze Age Crete series and the Will Rees/Shaker series. We discussed, not only the stories, but also my research and some of what I discovered.

One example of a funny story: during President Washington’s first term, John Jay was dispatched to Great Britain to work out a treaty. (Great Britain still did not recognize the new United States as its own country and continued to lay claim to forts and to impress American sailors.) The Jay Treaty was very unpopular. The newspapers of the time pilloried Jay (God damn John Jay and God damn all the people who won’t damn John Jay.) Jay was burned in effigy all through New York and Pennsylvania.

Here is the link if you missed it.  https://youtube.com/live/BAlVQsAe3FM 

Also, keep an eye out for a new Fresh Fiction giveaway. In August I am giving away the first novels in each of my series plus an Amazon gift card.

Minoan Tea

One of the reviewers for On the Horns of Death commented on the fact Martis and her mother, as well as other women in the mystery, drink tea. She questioned whether this might be an anachronism.

In fact, I was not thinking of the teas we get from India and China but instead of an herbal tea made from herbs well known in Crete.

Both sage and dittany were known then. Dittany is an herb that has been used for centuries, right down to early America, as a medicinal plant. A potent and fragrant herb related to oregano, the name comes from Mount Dikte in Crete. And, of course, one of the names for Britomartis, the maiden in the Cretan pantheon, is Diktynna. It is marketed now as a tea called Dictamnus.

Sage is another herb we believe was known and used in ancient times. We use it primarily as a culinary herb but, like oregano today, it also was used as ritually and as a medicine.

Finally, an herb that is marketed as an herbal tea today is malotira. This herb grows at high altitudes on Crete and is valued for its medicinal properties. It is commonly used to treat respiratory illness and digestive problems as well as skin irritation. It has anti-inflammation, anti-fungal and anti-microbial properties.

When I described Martis and company drinking tea, I was visualizing an herbal concoction. Maybe one of the herbs alone, maybe a combination

More about Artemis

Further proof that Artemis is linked with the Minoan Cretan hunting Goddess Britomartis (or Diktynna which means of the nets.) By the 5th century B.C, this goddess had been completely assimilated into Artemis.

Britomartis, whose name means sweet maiden, was said to have invented hunting nets. This is thought to be one reason she was also called Diktynna. And yes, I took Martis from her name as the name of my main character in the Bronze Age Crete series.

In one of the myths, Britomartis jumps into the sea to escape King Minos and his lust. Fishermen hid her in their nets (an alternate reason for the name Diktynna.)

Am I the only one appalled by the constant stories of rape of all the women in the myths? It does make Artemis’s reaction to the men who watched her or pursued her – frequently death – a little more understandable.

Funeral Rites in Minoan Crete

Let me begin by saying that, although there are plenty of theories about burial practices, there are very few facts we know for certain. However, I gleaned what I could and imagined the rest. Since I write murder mysteries, I have to include something about funeral and burial practices.

Excavations have found human remains put in jars and secreted in caves but treatment of human remains began to transition to tombs. When Martis’s sister is interred In the Shadow of the Bull

I describe what I imagined the scene to look like: the giant stone covering the entrance and the remains of many family members in one tomb.

I also include in both the Crete books, the above and also On the Horns of Death

some other descriptions that might or might not be true.

A fresco from Crete show a musician playing a flute in front of what looks like a funeral cortege so I added that to my description. Martis carries gifts to add to the caskets: a small ship for her sister and a small clay figure of a bull for her friend. We know grave goods were included and during the Classical period, small ships were added to carry the departed over the River Styx. I theorized that this was a practice that began in the Bronze Age.

The professional mourners were also a feature in Classical Greece so I thought it was possible they were important before that era. I described them, in groups of a few to many depending on the wealth of the family, in both books.

Finally, I include a meal, a funeral dinner, if you will, connected to the services. I thought this was a reasonable supposition since, even now, food is offered to the mourners after a service. Descriptions of such meals are also part of Homer’s works so a decision to include them seemed safe.

Women in Minoan Crete

Since March is Women’s History month, I thought I would discuss the women of Bronze Age Crete. In my series, I chose to write about this advanced society from about 2600 to approximately 1100 B.C.E. where women played pivotal roles in religion, culture and possibly even the governing of the cities. (In my previous series, I had a male protagonist, a traveling weaver, because women had a much inferior role in the United States of the late 1700s. They couldn’t own property or vote and if their husbands died, their sons took on the responsibility for their care. I wrote about the Shakers extensively, however, since in that society, women were equal and shared equal power in governance of the community.)

Frescoes and artifacts unearthed portray women in positions of reverence and power, suggesting a society where gender roles were viewed differently from contemporaneous civilizations.

Religion was female-centric, with goddess worship at its core. The male figures were always pictured as smaller than a central and large female figure. Women – or priestesses – were often depicted with open arms in a gesture of divine power. I imagined them as influential figures, managing religious ceremonies and advising on state affairs.

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Although the myths about Minos and the Minotaur are what we know today, one has to remember they were told by the Classical Greeks, a very patriarchal society. On Crete, real women likely held sway in the Minoan court. Administrative records and luxurious goods designed for female use display their influence, hinting at the wealth and status women enjoyed. I previously blogged about textiles and the elaborate clothing women wore.

Archaeological findings suggest that queens may have ruled alongside kings or even independently. The opulent grave goods of priestess-queens, often buried with symbols of power, reveal the respect and reverence these women commanded. I imagined a male consort who managed administrative details, under the Queen who was also the High Priestess.

The archeology suggests women’s influence extended beyond the spiritual realm into economics and craftsmanship. The intricately designed pottery, seal stones, and frescoes feature women in prominent roles. We know the intricate textiles, woven by the women, were traded all over the Aegean.

Emerging evidence further suggests that women in Minoan society received an education. In my books, I talk about the agoge, an initiation into society. I based it on what we know of the ancient Spartans who also educated their women. They spent a year minimum in a dorm with other women before marriage and children. (Boys, we think, went into a dorm at the age of seven.)

These ancient Minoans were a progressive culture ahead of its time.

Linear A and B

I am fascinated by words and language. I’m not sure if that is because I’m a big reader or I became a reader and eventually an author because of it.

In any event, when I began researching the Minoans for my latest series, (In the shadow of the Bull and On the Horns of Death),

I quickly ran into the question of these old, probably the oldest, written languages. Unlike the hieroglyphics, which were finally deciphered thanks to the Rosetta Stone, Linear A and B resisted decoding.

Linear A, which was used by the Minoans, still has not been deciphered. And Linear B was not deciphered until the 1950s. An Englishman from Hertfordshire, Michael Ventris, finally succeeded, using a multi-disciplinary approach.

Tablets with this writing have been found in Knossos and Pylos, as well as other places, and was very early on recognized as the earliest form of Greek. Deciphering changed the way we understand the Aegean Bronze Age, especially the complex societal structures and the far flung trade networks. Linear B has been determined to be a very early form of Greek

I suspect when Linear A is deciphered, it will include primarily trade information but we can hope it will open a window into this exotic and still mysterious culture.

Giveaways and More

I am giving away five copies of In the Shadow of the Bull on both Goodreads (sign up here: https://www.goodreads.com/giveaway/show/384416-in-the-shadow-of-the-bull) and on Fresh Fiction (sign up here: https://gleam.io/iwKi2/eleanor-kuhns-march

I am celebrating the release of the second book in the series – On the Horns of Death, which will be released April 2nd. Look for another giveaway at the end of March for the second book.

Last call to attend the all online conference Murderous March on Saturday (March 9.) Yes, I will be on the first panel on Saturday morning but there are plenty of other great panels and our featured speaker :
EDGAR AWARD-WINNING AND BESTSELLING AUTHOR
NAOMI HIRAHARA

If you are in Suffolk, I invite you to the Mystery Festival on Saturday, March 16. All day. This is one of my favorite events. Participants have a chance to meet many different mystery writers, attend panels, and, of course, buy books. Contact them here: Telephone: 757-514-4130