Category Archives: In the Shadow of the Bull

Curetes (Kouretes)

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One of the challenges of writing historical fiction, especially historical fiction that takes place as long ago as Bronze Age Crete, is the difficulty of sorting through the various myths – and the various iterations of the myths. I’ve already discussed the conflation of Zeus and Dionysus in that they share an origin story. When the tribes of mainland Greece swept over Crete after the Santorini volcanic eruption, they adopted much of the Cretan culture. Then they adapted what they’d taken to suit themselves.

Since we are familiar with the Classical Greek myths, so familiar in some case we have internalized them, we think of them as the ‘correct’ stories. Dionysus’s origin story, which became Zeus’s, is one such.

The outlines of Zeus’s story are this. Since it was predicted that one of Cronus’ children would kill him and take his position, he swallowed all of his children as soon as they were born. To protect Zeus, his mother Rhea wrapped a stone in a swaddling cloth (which Cronus swallowed) and the baby was hidden in a cave in Mt. Ida.

In the Cretan myth, it is Dionysus that is hidden in the cave. Each was described as suckled by either a nanny goat or a sow. To hide the baby’s cries, Kouretes made noise.

Who are the Kouretes? If you google the name, they are described as crested, armored warriors who clash their shields together so Cronus can’t hear the baby crying.

But this is not the whole story. According to an earlier myth, the Curetes were the first inhabitants of the Greek island of Crete. They were mythical creatures, specifically legendary benign deities who lived prior to the Minoans. According to an early Greek myth, the Kouretes were not born. They sprang out of the earth of Crete when the infant Zeus wept and his tears fell on the ground.

In this version, they made a hanging cradle for Zeus so he was not of the Earth, the sky, or the sea. He was therefore well protected from Cronus.

Because these are myths, and all things are possible, the Kouretes are supposed to have invented hunting, the first bow, dance, and even the Olympic Games.

Atlantis – and Minoan Crete

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I would guess just about everyone has heard of Atlantis. Plato was the first to write about this great naval empire that fell out of favor with the deities and was destroyed. (Plato was writing about hubris and criticizing Crete for opposing Plato’s native Athens.) Since Plato’s time, Atlantis has been used as a springboard for all kinds of fantastic suggestions.

Did you know that there may be a connection between Atlantis and Minoan Crete?

During the Bronze Age, Crete was THE Naval power, to the point that Ramses II in Egypt asked for help fighting the pirates attacking his country. Plato gives dimensions for Atlantis which are a factor of 10 for Crete. Plato also describes a highly sophisticated society – probably the first to have hot and cold running water and indoor toilets. He talks about a palace and a shrine to Poseidon. We know Poteidon was worshipped as a God in Crete and also that bulls, sacred to this God, were worshipped with many rituals including bull leaping.

One of the issues with this theory is the location of Atlantis, supposedly placed beyond the pillars of Hercules in the Atlantic Ocean. Some ancient historians have theorized that, before the sixth century BC, the “Pillars of Hercules” may have applied to mountains on either side of the Gulf of Laconia. The mountains stood at either side of the southernmost gulf in Greece, that opens onto the Mediterranean Sea. This would have placed Atlantis in the Mediterranean, lending credence to many details in Plato’s discussion.

For me, the most compelling argument for believing Minoan Crete was the seed of the Atlantis myth is the destruction. In Plato’s telling, earthquakes and floods swept over Atlantis and the island sank into the sea. Crete did not sink. But the volcano at Santorini/Thera erupted in approximately 1450 B.C.E., ripping out the center of the island and leaving an enormous caldera. Crete was nearby and would have been affected by earthquakes, tsunamis and ash. A nearby city, Akrotiri, was completely covered and is being excavated from the hardened ash now. The ash reached Turkey. This volcano, by the way, is still active and has built up an island of hardened lava. An island, by the way, you can travel to and walk on. Vulcanologists expect it to erupt again someday.

The explosion did not destroy Crete. Evidence of rebuilding has been found in and around Knossos. However, it severely weakened the Minoans and evidence of the Mycenaeans show up in the archaeological record right about then. Many believe that the Mycenaeans took the opportunity to conquer a rich and powerful, but severely damaged, neighbor.

What did they speak in Bronze Age Crete?

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I received wonderful news: both In the Shadow of the Bull and On the Horns of Death have been picked up by a publisher in Greece and translated. So excited!

This got me thinking about the language in Ancient Crete. What did they speak? Greek? It is hard to know since we, of course, have no examples of the spoken language. We do have sample of what there was of the written language, however.

There are several examples of ancient writings but the only one that has been deciphered is Linear B. That was finally deciphered in 1952 and was used primarily for administrative texts. Tablets have been found in Knossos, Kydonia, Pylos, Thebes and Mycenae. When the Mycenaean civilization collapsed, this style of writing disappeared.

Linear A, which some believe was a precursor of Linear B, (others posit they were used simultaneously), Cypro-Minoan and Cretan hieroglyphics remain undeciphered.

Linear B is believed to be a early form of Greek. Knowing how English spoken in the age of Chaucer sounded, I would guess a Greek speaker now would not be able to understand this early form.

Gods and Goddesses of Bronze Age Crete

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From the preponderance of female figures on seals and in frescoes, archaeologists believe Crete worshipped a Supreme Goddess, probably a fertility Goddess from Neolithic times. (Similar to Astarte.)There is some dispute whether the statuary depicting women with snakes in their hands are representations of the Goddess or Priestesses engaged in a ritual.

note the tiered skirt, the short-sleeved jacket and the tight belt around the waist.

Besides the Supreme Goddess, there was a pantheon of Gods and Goddesses. Poseidon, the God of the Oceans and Earthquakes, is one. (He was adopted by the mainland Greeks with almost no change.) Dionysus is another God, a very old one. A vegetation God, he is the God of wine as well as the Master of Animals. Unlike the Gods and Goddess of Classical Greece, Dionysus is not immortal. He is born each spring, grows to manhood throughout the year, and dies in winter.

One particularly interesting feature of Dionysus is his birth, in a cave and nourished by nanny goats. Sound familiar? The Cretan Zeus, a relative latecomer to the pantheon, is ascribed the same birth story. In Classical times, the same tale is told of Zeus’ birth, (although with a myth about the Titans surrounding it.) Zeus, of course, was elevated to the major God for the Classical Greeks.

The Goddesses are more complicated. Were they individuals or aspects of the Supreme Goddesses? Maybe a mix of the two? Aphrodite is connected to the Bronze Age and her name is pre-Greek. Artemis was a virgin, and the hunt was sacred to her, just as the Classical Greeks believed. Hera was another important Goddess. Shrines to her have been found in Crete. She was responsible for childbirth, a task she shared with Artemis. In the Classical Greek pantheon, she was reduced from being an important Goddess in her own right to Zeus’s jealous wife.

Britomartis meaning Sweet Virgin or Sweet Maiden, was worshipped by the fishermen. Her other name is Diktynna for the nets the fishermen used. I took her name and used the second half, Martis as the name of the protagonist in In the Shadow of the Bull and the sequels.

What about the Minotaur? Was the bull-headed man a God?We know that bulls were very very important in Ancient Crete. The statuary and frescos of bull leapers and the many representations of bulls is proof of that. But, was the Minotaur sacred? I choose to believe that the Minotaur was a creation of the Mainland Greeks, representing something they did not understand – rituals involving masked priests.

As excavations and study of this amazing culture continues, I’m sure we discover more about their religion.

Willies – the ghosts of Young Girls

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After Arge dies, poisoned as she stands at the altar on her wedding day, she returns as a spirit to ask Martis for help in identifying the killer.

Willies, spirits of young girls who were murdered before they married or had children, were a common feature of ancient myth. Sometimes they were good, sometimes not, but almost every myth includes the haunting of the family by these willies, usually for many years. Seven or nine seem to be the usual numbers. It was necessary for the families to perform the proper rituals to prevent disaster.

Fertility – both of people and livestock, was important for the health of the community. One reason for this is the danger associated with childbirth. One estimate I read of maternal death in childbirth was put at between 40 and 50%. Infant mortality was as high, and of course of those who survived birth, a large percentage did not make it to their fifth birthday. But I digress.

In Martis’ case, the spirit of her sister Arge is helpful. The question is this, is the spirit Martis sees truly a ghost of is it the voice of Martis’s subconscious? The reader has to decide.

I chose Arge because, in this way, Martis can have help figuring out what she’s seen and heard without involving someone who might be a suspect.

Priestesses

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From the frescos, the statuary and other artworks, we know women had a lot of power in Bronze Age Crete. Seals show a female figure as several times the size of the male figure; that is assumed to be a representation of a Supreme Goddess with a less important consort or son beside her.

Other works show figures in the traditional clothing: the short, tight short-sleeved jackets and long skirts, with elaborate headdresses. Two very famous statues show these women holding snakes (which were sacred.) These, it is theorized, are the Priestesses.

In many cultures, women were expected to know prayers/spells and make regular offering to the Gods to safeguard their homes and families. The Bronze Age was an age when many women died in childbirth (estimates rise as high as half) and miscarriages and stillbirths were common. Women employed amulets, prayers, and appeals to wise women to help them attract their love, inspire pregnancy, make the birth easy, keep the baby safe and more. These practices continued up through Roman times.

Christianity does not have priestesses. The only formal avenue for women in their worship is to become a nun. The spells, love potions, amulets and so one went underground, to women who became feared as witches.

In Ancient Crete, women would have been responsible for the prayers and sacrifices to keep their homes safe. Clearly, as shown by the above statue, there were other women whose responsibilities were far greater.

In In The Shadow of the Bull,

I imagined a class of Priestesses who lived separately and were responsible for all the rituals involving appeals to the Goddess. This was their profession. I suspect these women would have also attained a high degree of political power as well so, in my reconstruction of the world, I made the female ruler also the High Priestess with the others below her.

I will be taking a break for the next few weeks but I will return the last week of October.

Challenges of writing Historical Fiction

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Writing Historical Fiction has some unique issues. (So does writing mysteries but those usually revolves around plot.) Conveying a compelling setting is one difficulty. The writer wants to make the reader feel the culture and the time period – without using the dreaded data dump. Descriptions must be seeded throughout the story like pepper grains, not lumped in a pile. And the descriptions of the clothing, the food, the buildings – they can’t stop the flow of the action. Believe me, this is hard. At best, the writer uses the setting in an organic manner. I wrapped my cloak around me against the cold rain – for example.

Second is the issue of characters. For example, in my latest book, In the Shadow of the Bull, Martis is fifteen. But that is just a child, right? As I discussed last week, age is relative. Even in this country, and not so long ago, girls were allowed to marry at fifteen – or even younger. Because girls married young, Martis knows she will be expected to marry in a few years. Her only escape is to follow the Virgin Goddess Artemis, and never marry.

Another challenge is culture. What language does the writer use? Language that was common not long ago is offensive now. While we may deplore that, it still asks a question: should a writer use language that was accurate to the time but offensive now? Any writer who sets a story in the past of the United States wrestles with this one.

Language ties in to the culture. In the past, and not a very distant past, a number of groups were marginalized. Writing a story in the 1950s South doesn’t mean that LBGTQ+ people didn’t exist, just that they were hiding. In Bronze Age Crete, current scholarship suggests a complicated structure of slavery. A child’s status might rest on where he or she was born rather than the status of the mother.

Finally, one of the most difficult issues to address is what the reader brings to the book. I have had disputes with readers about certain facts, despite verifying a fact with documentary proof. Some readers just know they are correct and will flame you for not agreeing with them. This is by far the most frustrating, especially since the writer does not know where these beliefs come from.

Outside of the usual difficulties of writing a book, (grammar, character development, plot, setting) the historical writer faces a raft of unique problems,

Blog Tour

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Take a look at the blog tour for In the Shadow of the Bull.

You’ll find reviews, showcases, and more as well as an Amazon gift card giveaway.

List of tour stops: 

07/17 Review @ Archaeolibrarian – I Dig Good Books!

07/18 Review @ 5 Minutes for Books

07/18 Showcase @ 411 ON BOOKS, AUTHORS, AND PUBLISHING NEWS

07/19 Review @ Review Thick & Thin

07/20 Review @ Its All About the Book

07/21 Showcase @ Books, Ramblings, and Tea

07/25 Interview @ Hott Books

07/26 Guest post @ The Book Divas Reads

07/27 Review @ Celticladys Reviews

07/31 Review @ Scrapping and playing

08/03 Showcase @ fuonlyknew

08/05 Review @ Guatemala Paula Loves to Read

08/08 Interview @ Cozy Up With Kathy

08/08 Review @ sunny island breezes

08/10 Review @ Book Reviews From an Avid Reader

08/10 Review @ Coffee and Ink

08/11 Review @ Cozy Up With Kathy

09/05 Podcast Interview @ Blog Talk Radio

09/05 Review @ Just Reviews

Why is Martis so young?

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One of the questions I’ve been asked consistently is why Martis is so young. Martis is a fifteen year old-aspiring bull leaper, When her sister dies at the altar on her wedding day, and Martis is told by her sister’s spirit that she was murdered, Martis takes on the responsibility of investigating.

Isn’t a fifteen year old too young? We would certainly think so. But the average lifespan then, and through most of human history, was only about forty.

This is a somewhat misleading statistic since the average lifespan was brought down by maternal death during childbirth. Illness and accidents, and of course war injuries, account for significant mortality. Still, a few of the bodies disinterred from graves, even from this time, indicate some people survived to their sixties or even their seventies. But that was not common.

All of life’s milestones were earlier. Women married in their teens and were grandmothers in their thirties. Many of the seasoned warriors described in the Iliad were barely in their twenties.

The other factor is that any bull leaper would have to be young: fast, agile and strong. Even now, with all the benefits modern health has to offer, sports figures in their forties are a rarity. I make a point of emphasizing that most of the bull leapers age out of the sport by their late teens. At fifteen, Martis is already facing the end of her career as a bull-dancer.

Goodreads Giveaway

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Win a free copy of In the Shadow of the Bull.

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Since In the Shadow of the Bull will be released July 4, I am offering two avenues for winning a free copy.

There are eight books on offer on goodreads.

Or, sign up for my newsletter and I will add your name to the pot for the two books available from this page.

All books will be sent out immediately so they should be received shortly after the book is received.