The volcano underneath Santorini is not extinct. It has continued to erupt and spew lava.
The small volcanic island off Santorini’s coast is made up of the cooled lava coming from beneath the ocean.
We hiked up to the top of this island, and it was really hot too. Since it is being added to, this little piece continues to grow.
When the volcano exploded in approximately 1450 B.C.E., it spread ash as Far East as Turkey. Archaeologists discovered a city on Santorini that had been buried in ash. Akrotiri is currently being excavated. Unlike Pompeii where entombed bodies have been discovered, no bodies have been found. So far, anyway. It is thought that they had enough warning to escape.
Is there a kernel of truth to the legend of the Minotaur? We already know there are many theories regarding the location of a labyrinth as described in the Greek myth. One theory mentioned previously is the complicated floor plan of the Knossos palace complex. Many of the Achaeans, the early mainland Greeks, would have come from halls with much fewer rooms so it is possible they saw the complicated and many roomed palace and were overwhelmed.
. A fragment of a floor with a labyrinth has been found during the excavation at Knossos. Was it decoration? Or something more? No one knows.
Or perhaps the maze as described in the myth hasn’t been found. Pieces of tablets from Knossos, talk about a place with a labyrinth. So far, no one knows where that might be. Or even if it was a different location.
What about the minotaur, a bull-headed man? Considering the number of ancient cultures who used masks to represent animals and/or Gods, it doesn’t take much imagination to guess a man wearing a mask played the part of the Minotaur in religious rites. Bulls were very important; sacred in fact in this Bronze Age culture.
Finally, we come to the core of the Theseus and Minotaur myth. The tribute of young men and women were chased through the labyrinth and consumed. The Minoans have the reputation for being a peaceful society. It is probably true that, because they were an island with an excellent Navy, they were well defended from outside invaders. But certain finds have suggested this society was not as peaceful as it appears to us now. Bones of children mixed in with the bones of bovines and sheep, and bearing the same cut marks, suggest they were eaten as the animals were. Were these ancient Cretans cannibals? Was eating human flesh part of their religious rites?
Another finding suggests human sacrifice. Three bodies, crushed by falling debris during an earthquake, seem to indicate the sacrifice of a young man by a priest. Many cultures sacrificed to appease the Gods. However, if they were sacrificing this young man to prevent an earthquake, they left it to late.
The word labyrinth is from Bronze Age Crete. Labrys refers to the double-headed axe used in religious rituals. It definitely was not a tool. Labyrinth did not refer to a maze. (Perhaps to a place of labors?)
The labyrinth in Knossos was made famous in the Theseus and Minotaur myth. To recap, Athens was required to send fourteen kids (seven girls and seven boys) to Crete to be consumed by the bull-headed monster the Minotaur. The monster is confined to a maze underneath the city so that neither he, nor the tributes, can escape. Theseus, the son of the Athens’ King, is included in one of the tributes. Ariadne, King Minos’ daughter, falls in love with Theseus and gives him a ball of string and a sword. Theseus successfully kills the Minotaur and uses the string to find his, and the other captives, out of the maze.
Was there a maze under Knossos? It is true that Crete is a nation of mountains and caves. Perhaps there was, exactly as the myth describes, and through the years the earthquakes and of course the volcanic explosion of Thera on Santorini has erased it.
Another theory posits that the interlocking rooms of the palace in Knossos, which comprised workshops, storage rooms, meeting rooms as well as apartments, was the original labyrinth.
Current excavations, however, have turned up a floor mosaic of a maze, as well as a fragment of pottery decorated with a maze. So, mazes were important to this society.
This is not unlikely, Mazes have been found in other long ago societies. A maze carved into rock has been found near Tintagel, Cornwall and spirals carved into rock at Newgrange. One author makes the claim that Glastonbury Tor is a maze.
Why Mazes? Were they a metaphor for birth and renewal? A quest to reach the center as a symbol of finding enlightenment? Or did the mazes in Ancient Crete have some religious purpose we don’t yet know?
On thing we can be sure of: a Minotaur did not sit at the center to eat the tributes for Athens.
One of the topics that came up regularly in my research concerned the status of women. Was this a matriarchal society that worshipped a Goddess? Did the women enjoy high status?
Here is what we know. The murals and the seals portray many women and on the seals the female figure is several times larger than the male figure.
As one might expect, scholars differed on the question. Some of the early archaeologists assert that women could not have had such high status because, well, they were women. How then to explain the prevalence of women in the murals? How to explain the large female figure in the seals?
One explanation is that this culture worshipped a Goddess, along with other Gods such as Poseidon and Dionysus. But the worship of a feminine Goddess did not translate into high status for women in general.
The discussion continues today with the disagreement over the gender of the bull leapers. A famous mosaic depicts both white and red figures jumping over the bull. Some scholars posit that the white figures were female, following the Egyptian fashion of painting male and female figures different colors. This theory is supported by the Greek myth of Theseus and the Minotaur in which seven girls and seven boys are sent to Knossos from Athens as tribute.
In my opinion, and based on the evidence offered by the mosaics, the seals and the myth ( the mainland Greeks tried to portray the Minoans in as negative light as possible), I believe women enjoyed a high status in this culture. Goddess worship is almost universally accepted.
Right or wrong, that is how I envision this culture in my mystery, In the Shadow of the Bull.
While researching Bronze Age Crete and Greece for my mystery series: First book – In the Shadow of the Bull – I spent a lot of time reading the Greek myths.
Most of us have at least a passing knowledge of the Greek myths. These are from the Classical period, a millennia at least from the heyday of Bonze Age Crete. That does not mean, however, that Crete was not hugely influential in these myths.
Take the myth of Theseus and the Minotaur, for example. Here’s the backstory. The Greeks revered Zeus. Poseidon wanted to be honored too so he sent a white bull to Minos, the King of Crete. Minos’s wife Parsiphae fell in love with the bull. She tasked Daedalus (yes, the inventor with the wax wings whose son was Icarus) to build a special wooden box in the shape of a cow. Once inside the box, she had intercourse with the bull. Nine months later she bore a half-man, half-bull. The Minotaur.
The myth reeks of patriarchy and a desire to, in modern parlance, throw shade on Cretan beliefs.
First, in Crete Zeus was not the primary God. He was an upstart, more akin to a harvest God, who died and was reborn.
We also don’t know if Crete had a King. Certainly it was a goddess centered, matrilineal culture. Many archeologists have assumed Crete had kings, but for decades these archeologists were men. Men, moreover, who lived with a strongly patriarchal structure. It is possible the Priestess’s consort acted as a wanax, or governor. Kingships came with the Mycenaeans, i.e. the mainland Greeks who finally occupied Crete.
Several ancient cultures revered the bull or, in Indo-Europe (the steppes) the horse. One of the rites was mock intercourse with this symbol of fertility by the Queen/Priestess. This act was supposed to guarantee good crops, lots of livestock and of course healthy children for the coming year.
But what about the Minotaur?
Well, many many ancient and not so ancient cultures employ masks in religious rites. Animals are a frequently the subject. Is it so far a stretch to believe that the Minotaur is a masked man involved in a religious rite? I theorize that a rite performed in ancient Crete involved intercourse between the High Priestess’s consort who wore a bull mask.
Besides painting Theseus as a hero (which I dispute but more about that later), this myth spins Crete as decadent and deserving of conquest. By the Myceneans, naturally.
The date for the release of In the Shadow of the Bull is now July 4 for the UK. No word on the release date in the US yet.
In an attempt to reveal what we know of this ancient culture, I thought I would begin with the bull. Bulls were sacred. I’ve read varying explanations. Is it because the Bull represented the male principle, even in a society with a Supreme Goddess? Is it because of the connection with Poseidon. also a God in this culture. (I have mentioned previously how much the Classical Greeks borrowed from the Minoans).
Whatever the reason, the mosaics, the statuary, the rites practiced were all centered around the Bull.
One of the practices was bull dancing or bull leaping. This is a feature of the Theseus myth. Since it was written by the occupying Greeks, it has a negative spin. In the myth, Minos, the ruler of Knossos, requires tribute from the mainland: 7 young women and 7 young men, to face the fearsome Minotaur in the labyrinth. (The creation of the Minotaur is another myth, a rather creepy one.) Theseus volunteers to be one of the tributes. Minos’ daughter Ariadne gives Theseus a ball of string and he is able to kill the Minotaur and lead the other tributes to safety.
Frescoes from Knossos show young men and women (probably teenagers) leaping over a charging bull. The bull dancer grasped the horns and flipped over the bull’s back. Another member of the team caught and steadied him as he landed. There seems to be no doubt that these performances occurred.
Remnants of mazes pictured in mosaics have also been found. But labyrinth, a synonym for a maze, is actually from the word labyrs, a sacred two headed axe used in religious rituals.
A stylized version of the bull’s horns, called the Horns of Consecration, were used everywhere. Examples have survived in Knossos.
Now that In the Shadow of the Bull will be released this summer, I thought I should talk a little bit about the culture of ancient Crete.
Although it is called the Minoan Era, that is a misnomer. Minos was a mythical king mentioned in Greek stories from Classical Greece, many years later.
What we do know is that this sophisticated society flourished in the Bronze Age, only to be destroyed about 1459 B.C.E, The volcano on the island now called Santorini blew, sending ash as far away as Turkey., and causing massive damage to Crete. Some archaeologists discuss signs of rebuilding but the Achaeans, the Greeks from the Mainland, were able to take advantage and occupy the island.
The iconic statuettes from Bronze Age Crete are of women (priestesses probably although some scholars claim they are the Goddess) with snakes twining up their arms and around their waists. Snakes were sacred in this Bronze Age religion.
Snake Goddess describes a number of figurines of a woman holding a serpent in each hand found during excavation of Minoan archaeological sites in Crete dating from approximately 1600 BCE. By implication, the term ‘goddess’ also describes the deity depicted; although little more is known about her identity apart from that gained from the figurines. The ‘Snake Goddess’ figure first discovered was found by the British archaeologist Arthur Evans in 1903. The figurine found by Arthur Evans uses the faience technique, for glazing earthenware and other ceramic vessels by using a quartz paste. After firing this produces bright colors and a lustrous sheen. The figurine is today exibited at the Herakleion Archeological Museum in Crete. The snake’s close connection with the Minoan house is believed to indicate that the goddesses shown in these figures are Household Goddesses. http://en.wikipedia.org/wiki/Snake_Goddess
The shedding of their skins was a symbol of rebirth and regeneration. One of the resources I read said that the snakes were allowed to live in the houses. (I am not sure how she knows that.) If so, I’m sure that the presence of the snakes kept down the mice.
Currently Crete does not have native venomous snakes and it is thought that there no venomous snakes in Crete during the Bronze Age either. So, of course I had to wonder if the asp was ever imported from Egypt.
(I think everyone knows that Cleopatra is supposed to have committed suicide with an asp. According to my research, however, it was a mixture of poisons including opium and wolfsbane. But I digress.)
The prevalence of women in the artwork, not just statuary but also the mosaics, have lent support to the theory that women enjoyed a high status in this society. It is theorized that the religion featured a Goddess as well as less important Gods. Several were transported virtually unchanged to the pantheon of Hellenic Greece.
The first book I read this week was A Simple Murder by Linda Castillo.
I chose it because it shares a title with my first Will Rees mystery series.
I also enjoy Linda’s books and have read them all. This work consists of five interlinked short stories, all starring Kate Burkholder and the Amish.U admit I prefer her novels but these were fun and were a little lighter than her novels. (It seems funny to consider murder mysteries ‘lighter’,)
The second book is Queens of the Wild; Pagan Goddesses in Christian Europe. This is nonfiction; a study of Mother Earth, the Fairy Queen, Mistress of the Night and the Old Woman of Gaelic Tradition. Hutton challenges most of the current scholarship in claiming these are NOT pre-Christian Goddesses.
I am reading it as part of my research for the new series I am working on. It will take place in Bronze Age Crete. Women figured prominently in this society and the mosaics, seals and other artifacts discovered seemed to indicate, not only a Goddess as the supreme being, but the importance of women.
Why do I find the Hutton work so disturbing?
When I began my research into what is popularly known as the Minoan Civilization, I began with a work by Nilsson, one of the first archaeologists to dig in Knossos. He was convinced that the many depictions of women in the mosaics, including a very famous one showing them participating in bull leaping, had to be showing Goddesses. Why? Because women simply couldn’t be that important. His prejudices were clear and informed his interpretation of this ancient civilization.
Granted, understanding a society that is separated from us by over 3000 years is very difficult, especially when one is working with mosaics, jewelry, seals and other artifacts, (no newpapers or written records to help) as the clues to interpret the inner workings of a culture. With that said, however, the lesson I took away is that we all judge based on the cultural mores we’ve internalized. It is important not to assume that because gender roles in the early twentieth century followed one pattern that they were set and unchangeable, and fit every human society. Most scholars now posit that women were indeed that important in that society.
So, back to Hutton. I admit I haven’t quite finished this work and maybe I will agree with him more when I’m done than I do now. His focus does appear to be more about the Christian world of the early Middle Ages and a discussion of how these pagan goddesses came to be in a Christian society. We shall see.
The iconic statuettes from Bronze Age Crete are of women (priestesses probably although some scholars claim they are the Goddess) with snakes twining up their arms and around their waists. Snakes were sacred in this Bronze Age religion.
Snake Goddess describes a number of figurines of a woman holding a serpent in each hand found during excavation of Minoan archaeological sites in Crete dating from approximately 1600 BCE. By implication, the term ‘goddess’ also describes the deity depicted; although little more is known about her identity apart from that gained from the figurines. The ‘Snake Goddess’ figure first discovered was found by the British archaeologist Arthur Evans in 1903. The figurine found by Arthur Evans uses the faience technique, for glazing earthenware and other ceramic vessels by using a quartz paste. After firing this produces bright colors and a lustrous sheen. The figurine is today exibited at the Herakleion Archeological Museum in Crete. The snake’s close connection with the Minoan house is believed to indicate that the goddesses shown in these figures are Household Goddesses. http://en.wikipedia.org/wiki/Snake_Goddess
The shedding of their skins was a symbol of rebirth and regeneration. One of the resources I read said that the snakes were allowed to live in the houses. (I am not sure how she knows that.) If so, I’m sure that the presence of the snakes kept down the mice.
Currently Crete does not have native venomous snakes and it is thought that there no venomous snakes in Crete during the Bronze either. So, of course I had to wonder if the asp was ever imported from Egypt.
(I think everyone knows that Cleopatra is supposed to have committed suicide with an asp. According to my research, however, it was a mixture of poisons including opium and wolfsbane. But I digress.)
The asp’s bite is very venomous. The victim dies in about four minutes.
