Category Archives: murder mysteries

A Circle of Dead Girls

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A Circle of Dead Girls is set against the beginnings of the circus in the new U.S.

The circus itself, of course, is very old. Acrobatics began with the Ancient Egyptians and, independently, in China. By the Middle Ages, traveling troupes went all through Europe and England, performing at fairs and other events. But when the Puritans came to power in England, such frivolity as the circus was forbidden. The circus did not begin again until 1768 when a retired military instructor, Sergeant-Major Philip Astley, decided to display his equestrian prowess. It proved surprisingly popular and a few years later he decided to add jugglers, acrobats and other performers, ending each show with a pantomime.

A student of Astley, John Bill Ricketts, was the man who brought the circus to the United States. He’d planned to open a riding school/circus in France but with the increasing hostilities between England and France chose to go to the United States instead. Following the lead of Astley, Ricketts opened a riding school in Philadelphia first in 1792. Philadelphia was the capital of the United States at that time. When that was established and his reputation made, he built an arena for his circus in 1793.

By 1900 the circus was the most popular form of entertainment in the country.

In A Circle of Dead Girls, I posit the beginnings of the traveling circus that makes a stop in Maine. And from there lies a tale . . .

Women and the circus

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The scantily dressed female circus performers are such a feature of American lore that few of us considers their history or how unusual they were when this entertainment first arrived in the United States.  Although the circus has a long history – the Egyptians are commonly credited with inventing acrobatics – all forms of entertainment including the jugglers and the acrobats were banned during the Puritan era.  It was not recreated in England until Sergeant-Major Philip Astley began exhibiting his equestrian prowess on the outskirts of London in 1768. He performed in a circle (a ‘circus’ in Latin).

In 1770 he decided to expand the appeal of his show by adding acrobats, ropedancers (or wire walkers) and jugglers. (The trapeze, which evolved from the high wire acts, had not yet been invented.) He finished the production with a pantomime, a farcical play that included characters from the Commedia del Arte: Harlequin, Columbine and Clown. His new circus was a huge success.

Like many parts of American culture, this new version of the circus came to the United States from England. As Europe prepared for war, one of the many between England and France, a pupil of the English equestrian tradition, John Bill Ricketts, brought the circus across the Atlantic. He set up a riding school in Philadelphia in 1792 and established the first circus the following year. It was not a traveling circus but was, like the Astley entertainment, housed in a wooden amphitheater.

From the first, despite the social and cultural mores that repressed women, they performed in the circus. They were career women before the term was invented. And they were frequently the stars.  In 1772 Astley’s circus featured two equestriennes. The wives of Astley and another trick rider J. Griffin were so popular and famous they were invited to perform before the royal families of England and France. Following their lead Ricketts included a woman in his circus who not only worked as an equestrienne but also doubled as actress and dancer.

Many of the women who performed in circuses were the wives and daughters of male owners or performers. In Europe there was already a culture in which the children raised by circus parents became performers in their turn. A famous ropedancer, familiarly called Bambola, was one such in Italy. I borrowed the name for a character in A Circle of Dead Girls.

The circus allowed women to exhibit their bodies and their physical strength in public.  The equestriennes certainly could not do tricks on the backs of galloping horses in long trailing skirts so, horrors!, they wore knee-length skirts that clearly showed the shape of their legs. To modern eyes, this reveal would look remarkably tame. But in the eighteenth century this was titillating. Women of that time were tightly corseted and completely covered. It was not proper for them to attend the circus, which was on a par with Burlesque.  Until the Civil War (1861 – 1865) the audience of the American circus was predominantly male. The female performers, like actresses, to whom they were compared, were suspect, considered little better than harlots. But unlike the actresses, who only had to be pretty and seductive, the women in the circuses had to have talent and be willing to undergo the grueling training required for the acts. They, like their male counterparts, had to be unusually healthy and fit. 

The circus proved extremely popular in the United States and Ricketts expanded to include New York and Boston and even cities in Canada. To reach more people, the circuses began to travel, building and then tearing down the wooden arenas as necessary. In 1825, Joshua Purdy Brown decided to present his show under a canvas tent instead of the temporary wooden structures. The modern circus was born. 

A Circle of Dead Girls, my eighth Will Rees, is set against the newly formed circus in the 1790’s United States. Once the popularity of the circus was established, I thought it likely that other men would set up small traveling companies. Outside of the few big cities at that time, (which were primarily New York, Philadelphia and Boston, most of the U.S. was rural. Picture how exciting the arrival of such entertainment would be. And how exotic the performers would appear to the farmers and small shopkeepers who came to see them. And imagine how seductive such a beautiful ropedancer would be in a tiny town in Maine . . .

A Circle of Dead Girls

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I am very happy to announce that A Circle of Dead Girls, Will Rees number 8, will be released March 3, 2020.

The Circus has come to town. Rees arrives for the performance but the sight of his old nemesis, Magistrate Hanson, sends him home again. On his way, he meets a party of Shaker Brothers searching for a young girl. Her body is found in a nearby field.

Who killed Leah? The circus trick rider? The strong man? One of the Shaker Brothers? Maybe even the Magistrate.

A Circle of Dead Girls Cover v3

The white plague

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In my Will Rees mysteries, he meets people who are ill with tuberculosis several times. The frequency of deaths from this disease in my fiction in not an accident. It was an epidemic and still has not been eradicated. In 2017, there were more than 10 million cases of active TB which resulted in 1.6 million deaths; it is therefore the number one cause of death from an infectious disease. Most of these deaths, and most of the new infections, occur in the developing world.

 

I was mostly familiar with TB as ‘consumption’, a disease that afflicted Victorian poets. Although TB was common in both the poets, the upper classes and the slum-dwellers, it was not a new disease during Victorian times. It has been around for millennia. Bison remains from 17,000 years ago display the effects of the disease.  (No one is sure if TB jumped to humans from the bovine like smallpox or whether it developed independently.) TB scars have been found on Neolithic skeletons and on the spines of Egyptian mummies.

 

So, it has been around a very long time. Despite that, it was not identified as a single disease until 1820 and the bacillus that caused it was not discovered until 1882 (by Robert Koch. He received the Nobel prize but failed to recognize that one of the transmissions of TB was via infected milk.)

 

Before the advent of antibiotics, and even with the best care in the sanatoriums set up for this purpose, 50% of the patients died within five years. In 1815, one in four died of the illness in England.

 

Antibiotics beat back the disease, but new drug resistant strains raise the possibility of a new epidemic. Even now, in modern times, about one quarter of the world’s population is infected with TB.

Diabetes circa 1800

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As Rees investigates murders, he invariably meets people who are ill. Illness and death was a constant companion. Illnesses: measles, mumps, diphtheria carried off infants and children; about one in five. Tuberculosis was epidemic. Women succumbed to childbirth. Simple accidents caused death, if not by the accident itself by sepsis.

Diseases we think of as modern, such as cancer or diabetes were present but not identified by name.

How do we know diabetes existed. About 3000 years ago the Egyptians described an illness with excessive thirst, urination and weight loss, the symptoms of Type I diabetes. In India they discovered they could use ants to detect the disease because the ants were drawn to the sweetness. And the Greeks called the disease diabetes mellitus ; diabetes for siphon or pass through and mellitus for sweet.

Early treatments included a diet of whole grains, milk and starchy foods, rancid animal meat, veal and mutton, green vegetables. Other treatments recommended exercising, reducing stress, wearing flannel – seriously. As one might expect, the true causes of Diabetes and possible treatments were not identified until modern times. In 1889, Joseph von Mering and Oskar Minkowski found that removing the pancreas from dogs led them to develop diabetes. In 1910 Sir Edward Albert Sharpey-Schafer named the missing chemical, without which the body could not survive, insulin. That means island because the cells in the islets of Langerhans in the pancreas produce it.

The first human subject took an insulin injection in 1922. So, although this illness has been with us a long time, its identification and the treatment is recent.

Why am I so interested in diabetes? Read Simply Dead and find out.

Lumbering in Maine

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Simply Dead is set against the mountains and the lumbering industry in Maine.

In the spring, logging camps were set up in the woods and the massive trees were cut down with nothing more than human sweat and axes. Lumber was important for building, yes, but this was also the era of sailing ships and tall masts were a requirement.

The loggers would ‘drive’ the logs down one of the many rivers to Falmouth. The men would ‘roll’ the logs down the rivers by standing on them. I describe this more fully in my book. The lumber drive would end in Falmouth with a celebration. (I’ll bet. Talk about dangerous work!)

Paul Bunyan and his blue ox are part of the American myth and he is based on the real lumber men. In Bangor there is a statue of Paul Bunyan.

Paul Bunyan statue in Bangor, Maine.JPG

Demonstrations of log rolling are a feature of some of the Maine shows.

 

The Shaker Murders and Giveaway

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I have arranged a giveaway on The Shaker Murders.

The Shaker Murders

I am hoping to prepare readers for my newest book, Simply Dead, which will come out August 1. The giveaway will begin June 7.

Simply Dead High-Res Cover

In the depths of winter, with a blizzard coming on, the constable Simon Rouge asks Rees for his help in finding his niece Hortense. Her cart had been found abandoned on the road and now she had been missing for almost two weeks.

The search for Hortense, and the unraveling of the secrets behind her abduction, lead Rees into the mountains of Maine.

Other murders, including the deaths of two Shaker Sisters, occur before Rees finally unmasks the killer.

 

Coffee

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While on our vacation to Costa Rica, we went to a coffee plantation. As anyone who has read my books knows, Rees is a big coffee drinker. Then coffee was even more of a luxury good.

Coffee us reputed to have been discovered by a shepherd who noticed his sheep and goats were more energetic once they ate these beans. From Africa, coffee went to the Arabs who discovered roasting and made a drink from them. They went to Italy and France, to the rest of Europe, and then to Central America in the 1700s. In Costa Rica coffee is known as the gold grain because it became such a huge part of their economy.

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Two seedlings are planted per hole to maximize yield.

flowers

Pretty white flowers bloom on the bushes before the berries form.

Picking coffee has to be done by hand since a coffee bush will have both green and red berries on it. A basket is attached to the picker’s waist and they walk around picking.

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The the coffee has to be dried and roasted before blending into the drink most of us have every morning.

The Banjo

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There is an interesting article in the latest issue of the Smithsonian. I found it interesting anyway since it detailed the history of the banjo. We take this instrument totally for granted but it is actually very interesting.

Originally an African instrument, it came to this country with the slaves, It underwent a number of changes (the addition of an extra string for example). Banjo, the name, is relatively new, evolving from a variety of names: Banjar, banshee and more. One of the popularizers of the banjo in modern times? Pete Seeger.

The funny thing is that I was already researching musical instruments from that time. I am already working on my ninth Will Rees. Stay tuned for more information.

Reviews

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Today was a banner day for me. I received two wonderful reviews of The Shaker Murders, one included in Library Journal.

Author Eleanor Kuhns Weaves A Mystery

by Severn House
Feb 08, 2019 | Filed in Reviews

Traveling weaver, Will Rees arrives in Zion, Maine, a Shaker community, amidst a series of bizarre accidents. As Rees investigates, he begins to experience nightmares where his family is in jeopardy. In this sixth book in the Will Rees series, author Eleanor Kuhns has readers racing along to learn if Rees can uncover the truth before those haunting dreams become a reality.

Lifelong librarian and award-winning author Eleanor Kuhns’s latest novel in her Will Rees series, The Shaker Murders (Severn House), was inspired in part by a fortuitous trip to Sabbathday Lake Shaker Village, a tiny religious community that was established in Maine in 1783.

If Kuhns hadn’t created this popular series when she did, there’s a fair chance there would be no Shakers left to share their traditions firsthand. Due to the sect’s adherence to celibacy, the practice of marrying out, and expulsion from the community for violating rules like refusing to shave one’s beard, today Sabbathday Lake is home to only three remaining Shakers.

“All I knew about the Shakers was that they made furniture,” Kuhns tells Library Journal. “In the tour, I learned they were celibate, and they took in orphans.”

Kuhns was so intrigued by what she saw, she bought every book in the gift shop and embarked on a period of research that yielded more than a few surprises.

“Who knew that their herbal business was so successful that in today’s money, it would be a billion dollar industry or that they were accomplished inventors with hundreds of patent applications?” Kuhns says enthusiastically.

The more research Kuhns conducted, the more she wondered about the people who joined the Shaker community. Kuhns learned that some converts were driven by faith, others saw it as an escape from societal conventions like marriage, and then there were those who used the sect to hide out – fertile motivation for an author of mysteries.

Returning readers of Kuhns’s mystery fiction have come to expect to learn a few things along with seeing a murder get solved. “Every book features at least one job that was important to the times. In Death of a Dyer I describe dyeing, in Cradle to Grave it is barrel making, and in Death in Salem I focus on sail and rope making,” Kuhns says.

In The Shaker Murders, Kuhns introduces the reader to the art and cultural history of weaving. “One of my hobbies is weaving, so I made my main character a weaver,” Kuhns says, adding, “I knew how to thread and set up the treadles and follow a pattern, but after I started working with Rees, I studied the history of weaving, an unbroken line from the Bronze Age to the Industrial Revolution.”

In The Shaker Murders, the craft of weaving offered her protagonist, Will Rees, some connective material to move the story along. “Weaving gives Rees the chance to interact with women as well as men. That would have been much more difficult if I’d made him a bricklayer,” Kuhns adds.

Kuhns explains that in the Shaker community, women wove in the home, but some male weavers were itinerant, which enables Kuhn’s murder-solving protagonist to have a reason to leave the small town in Maine. To further aid in this, Kuhns made him a traveler, so he has more than one motivation to hit the road.

In her earlier works like Cradle to Grave, Rees solves a murder just north of Albany that involves the Shaker community there. In Death in Salem, Rees visits Salem, Mass that was, at that time, the sixth largest city in the U.S. as well as the wealthiest due to trade with India and China.

For Kuhns, one character remains with her above the others. Kuhns created Calvin, a mentally challenged man whose untimely end hit her the hardest. “I don’t think the developmental disabilities are new in modern times, so his murder is even more heinous and emotional wrenching because he is an innocent.”

When Kuhns originally sought inspiration for Rees, she found it in her late father, himself an adept craftsman. “Part of Will Rees is completely my father: his sense of justice, his honesty and his ability to work with his hands. He was also a big red-headed fellow with anger issues,” Kuhns says.

For Kuhns, the process of drawing upon her father has been educational. “Since writing about Rees and doing such intensive research into earlier times, I feel I understand my father a lot better. I hope he would be flattered.”

Traditionally, when Kuhns casts that role in her mind, she’s thought of Damien Lewis (from Homeland) and David Wenham (Faramir in the Lord of the Rings), but she jokes she may need to find someone younger as they’re getting on. With such leading men as inspiration for a character based on her father, how could he not be?

The second review came from the Historical Novel Society.

The Shaker Murders (A Will Rees Mystery)

WRITTEN BY ELEANOR KUHNS
REVIEW BY BRYAN DUMAS

Will Rees and his family are hiding in Zion, a Shaker community in Maine, and hoping to find safety, but what Will discovers is a secretive sect and two murders that threaten the security of his family in Kuhns’ sixth Will Rees Murder series. Will, his pregnant wife, Lydia, and their children fled their hometown of Dugard and are in Zion because of an accusation of witchcraft against Lydia, and Will’s own murder charges—from which he cleared his own name (The Devil’s Cold Dish, 2016). Shortly after arriving in Zion, Brother Jabez is found dead in the laundry. Will is certain it was murder, but Elders Solomon and Jonathan push it off as an accident. After Will finds the murder weapon, and a second Shaker—a simple-minded young man—is killed Will is certain that the murderer is one of the Shakers themselves. Complicating matters is the matter of Lydia’s former farm, which the Shaker community believes belongs to them but Will hopes to take for his family.

While this is a murder mystery, what really sets this book apart are the descriptions of daily life and expectations for 18th-century Shakers and their community—including guests that they welcome with open arms, if only because they hope these people will sign the Covenant and join. As in any whodunit, there are plenty of shady characters, from hired farm boys to newcomers to the community up through the elders themselves, all lending to throw Will, and the reader, off course. Though there are many references to previous books, first-time readers to this series will have no trouble jumping in. Ultimately, Kuhns uses the Shaker beliefs to craft an interesting and suspenseful ending to this delightful story.