Category Archives: women

Medusa

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One of the Greek myths that has captured even modern imaginations is that of Medusa.

In the Greek myth, Medusa was a priestess for Athena. Poseidon violated her inside Athena’s temple and Athena was so enraged by the sacrilege she changed Medusa from a beautiful girl into a monster with venomous snakes for hair and a gaze that turned people into stone.

Medusa and her two sisters were banished to a small, faraway island where they lived until Perseus slew Medusa. (He used her head as a weapon but that is another story.)

Here are my takeaways. Athena was supposed to be the goddess of wisdom but she chose to punish Medusa instead of Poseidon. Athena was a powerful goddess but instead of confronting another God she attacked a mortal woman.

Clearly, the attitudes toward rape haven’t changed much. Many of the rape victims in the Greek myths, like Medusa, are the ones punished, not the rapists.

According to some of the sourcesI read, this is an example of the unfairness of divine retribution in the Greek myths. The Gods were frequently unfair.

Nancy Drew

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Why am I blogging about Nancy Drew? I am beginning a new series set in the late 1920s and into the thirties. Like most girls, and certainly almost all women mystery writers, I started my career by reading the Nancy Drew mysteries. Nancy, and her friends George and Bess, are so much a part of the culture, I, at least, can’t imagine the world without them. I thought I should reread a few.

What I didn’t know was that the first Nancy Drew was published in 1929, only nine years after women won the right to vote. The Secret of Shadow Ranch was published in 1931.

There are few descriptions of clothing or anything else that might be too era specific so the books can stretch across decades without sounding dated. And Nancy is brave, smart and independent, a new role model for girls who wanted something else besides the domestic sphere. Later revisions have, of course, adapted some of her traits and history.

Her spunky personality is usually ascribed to Mildred Wirt who wrote many of the early mysteries.

These books are targeted to girls 3rd to 6th grade. I read them mostly in the fourth and fifth grades and had a number of favorites. (I am now rereading The Sign of the Twisted Candles which I loved.)

To an adult, the mysteries are lightweight, the writing pedestrian at best, but I can see the appeal to a girl. The mysteries have some danger, but Nancy always escapes it. I loved stories with secret rooms and here we are. Plus, Nancy does everything well, money is never a problem, and no one tells her what to do. Not even her father, Carson.

I imagine the young women in my new series will know of Nancy Drew even if they have not read her books.

Who is the Minoan Lady of the Beasts?

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Artemis is described in the Iliad as Potnia Theron or the Lady of the Beasts. (Potnia is a term of respect, meaning Lady or Mistress.) It is also a title formerly used by a Minoan Goddess – the Lady of the Beasts.

A similar goddess was worshipped throughout the Aegean. In fact, the Mistress of the Beasts – or something similar – was worshipped as far back as the Neolithic, including Crete. I don’t think it is a big stretch of the imagination to believe that Artemis either took over the role of her precursor or was the Lady of the Beasts under a different name.

What do we know about Artemis? She was a beautiful winged Goddess, usually associated with the Moon. (Although, since her twin brother was Apollo, the sun, there are solar elements as well. Both were children of Leto and Zeus.) She was passionate about her virginity and could be quite cruel to her nymphs when they lost their theirs, even if usually by rape. Young girls were frequently dedicated to her at the age of somewhere between 9 and fifteen. (Scholars disagree about the age.) Suidas and Arktos e Brauroniols wrote that the Athenians decreed that no virgin could be married unless they played the bear for the Goddess. (Interesting and odd to me in light of the beliefs about young girls who die before marriage and children – who become spirits, or willies.) Martis would have been dedicated as well but, unlike most of her peers, she plans to remain a virgin and dedicated to the Virgin Goddess.

Artemis is also a patron of childbirth, again an interesting juxtaposition with a virgin goddess. Women prayed to her for an easy and safe childbirth and shrines to her were present well into Roman times.

She was also a huntress and is frequently pictured with her golden bow and arrows and a pack of hunting dogs. This is the piece that fits in with the Lady of the Beasts. As a beautiful but unattainable woman, she was frequently the object of men’s attentions. With the Greek predilection for violent drama, her reaction toward them tended to be fatal. In one myth, a mortal saw her bathing naked. Artemis turned him into a stag and his own hunting dogs tore him apart.

Although Artemis is a hunter and a protector of women in childbirth, the apparent disconnect does make sense. Fertility of both women and animals, domestic and wild, was necessary for prosperity.

In Classical Greece, Artemis is a daughter of Zeus. But her history is far older than that.

Amazons – Warrior Women

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In Greek legends, the Amazons were formidable women warriors who lived on the edge of the known world. Hercules had to obtain the magic girdle of the Amazonian queen Hippolyte in one of his 12 labours, and Achilles killed another queen, Penthesilea, only to fall in love with her when he saw her face. (Kind of ironic that.)

These horseback-riding, bow-wielding nomads, who fought and hunted just like men, have long been shrouded in myth. (Remember, one of the stories claims these fierce female warriors also cut off one breast so as to be able to shoot a bow more effectively.

Now archaeologists are discovering increasing evidence that they really did exist.

Excavations of graves within a bronze age necropolis in Nakhchivan in Akzbaijan revealed that women had been buried with weapons such as razor-sharp arrowheads, a bronze dagger and a mace, as well as jewellery.

These fearsome women from 4000 years ago were famed for their male-free society and their prowess on the battlefield, particularly with a bow and arrow. (The men were, according to one theory, out fighting themselves. To another, that the men were tending the herds.)

Recent issues of Archaeology Magazine and World Archaeology have discussed the excavations leading up to the conclusion that the women from the Caucasus could have been the legendary Amazons.

In 2019, the remains of four female warriors buried with arrowheads and spears were found in Russia and, in 2017, Armenian archaeologists unearthed the remains of a woman who appeared to have died from battle injuries, as an arrowhead was buried in her leg. In the early 1990s, the remains of a woman buried with a dagger were found near the Kazakhstan border.

Some of the skeletons reveal that the women had used bows and arrows extensively. Historian Bettany Hughes observed that “Their fingers are warped because they’re using arrows so much. Changes on the finger joints wouldn’t just happen from hunting. That is some sustained, big practice. What’s very exciting is that a lot of the bone evidence is also showing clear evidence of sustained time in the saddle. Women’s pelvises are basically opened up because they’re riding horses. [Their] bones are just shaped by their lifestyle.”

This is particularly interesting to me since current theory suggests patriarchy came from the steppes with the adoption of the horse. Maybe the story isn’t as cut and dried as it appears.

A documentary detailing some of these finds will be broadcast on the BBC in April. In it, Hughes visits the mountain village of Khinalig. This is the highest inhabited place in Europe. There has been a settlement there since the Bronze Age, and stories handed down through their generations tell of women who fought like men but covered their faces with scarves.

Women, it appears, enjoyed more varied lives in the ancient past than those brought about by patriarchy in our more recent cultural history.

Women in Minoan Crete

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Since March is Women’s History month, I thought I would discuss the women of Bronze Age Crete. In my series, I chose to write about this advanced society from about 2600 to approximately 1100 B.C.E. where women played pivotal roles in religion, culture and possibly even the governing of the cities. (In my previous series, I had a male protagonist, a traveling weaver, because women had a much inferior role in the United States of the late 1700s. They couldn’t own property or vote and if their husbands died, their sons took on the responsibility for their care. I wrote about the Shakers extensively, however, since in that society, women were equal and shared equal power in governance of the community.)

Frescoes and artifacts unearthed portray women in positions of reverence and power, suggesting a society where gender roles were viewed differently from contemporaneous civilizations.

Religion was female-centric, with goddess worship at its core. The male figures were always pictured as smaller than a central and large female figure. Women – or priestesses – were often depicted with open arms in a gesture of divine power. I imagined them as influential figures, managing religious ceremonies and advising on state affairs.

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Although the myths about Minos and the Minotaur are what we know today, one has to remember they were told by the Classical Greeks, a very patriarchal society. On Crete, real women likely held sway in the Minoan court. Administrative records and luxurious goods designed for female use display their influence, hinting at the wealth and status women enjoyed. I previously blogged about textiles and the elaborate clothing women wore.

Archaeological findings suggest that queens may have ruled alongside kings or even independently. The opulent grave goods of priestess-queens, often buried with symbols of power, reveal the respect and reverence these women commanded. I imagined a male consort who managed administrative details, under the Queen who was also the High Priestess.

The archeology suggests women’s influence extended beyond the spiritual realm into economics and craftsmanship. The intricately designed pottery, seal stones, and frescoes feature women in prominent roles. We know the intricate textiles, woven by the women, were traded all over the Aegean.

Emerging evidence further suggests that women in Minoan society received an education. In my books, I talk about the agoge, an initiation into society. I based it on what we know of the ancient Spartans who also educated their women. They spent a year minimum in a dorm with other women before marriage and children. (Boys, we think, went into a dorm at the age of seven.)

These ancient Minoans were a progressive culture ahead of its time.

Gods and Goddesses of Bronze Age Crete

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From the preponderance of female figures on seals and in frescoes, archaeologists believe Crete worshipped a Supreme Goddess, probably a fertility Goddess from Neolithic times. (Similar to Astarte.)There is some dispute whether the statuary depicting women with snakes in their hands are representations of the Goddess or Priestesses engaged in a ritual.

note the tiered skirt, the short-sleeved jacket and the tight belt around the waist.

Besides the Supreme Goddess, there was a pantheon of Gods and Goddesses. Poseidon, the God of the Oceans and Earthquakes, is one. (He was adopted by the mainland Greeks with almost no change.) Dionysus is another God, a very old one. A vegetation God, he is the God of wine as well as the Master of Animals. Unlike the Gods and Goddess of Classical Greece, Dionysus is not immortal. He is born each spring, grows to manhood throughout the year, and dies in winter.

One particularly interesting feature of Dionysus is his birth, in a cave and nourished by nanny goats. Sound familiar? The Cretan Zeus, a relative latecomer to the pantheon, is ascribed the same birth story. In Classical times, the same tale is told of Zeus’ birth, (although with a myth about the Titans surrounding it.) Zeus, of course, was elevated to the major God for the Classical Greeks.

The Goddesses are more complicated. Were they individuals or aspects of the Supreme Goddesses? Maybe a mix of the two? Aphrodite is connected to the Bronze Age and her name is pre-Greek. Artemis was a virgin, and the hunt was sacred to her, just as the Classical Greeks believed. Hera was another important Goddess. Shrines to her have been found in Crete. She was responsible for childbirth, a task she shared with Artemis. In the Classical Greek pantheon, she was reduced from being an important Goddess in her own right to Zeus’s jealous wife.

Britomartis meaning Sweet Virgin or Sweet Maiden, was worshipped by the fishermen. Her other name is Diktynna for the nets the fishermen used. I took her name and used the second half, Martis as the name of the protagonist in In the Shadow of the Bull and the sequels.

What about the Minotaur? Was the bull-headed man a God?We know that bulls were very very important in Ancient Crete. The statuary and frescos of bull leapers and the many representations of bulls is proof of that. But, was the Minotaur sacred? I choose to believe that the Minotaur was a creation of the Mainland Greeks, representing something they did not understand – rituals involving masked priests.

As excavations and study of this amazing culture continues, I’m sure we discover more about their religion.

Priestesses

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From the frescos, the statuary and other artworks, we know women had a lot of power in Bronze Age Crete. Seals show a female figure as several times the size of the male figure; that is assumed to be a representation of a Supreme Goddess with a less important consort or son beside her.

Other works show figures in the traditional clothing: the short, tight short-sleeved jackets and long skirts, with elaborate headdresses. Two very famous statues show these women holding snakes (which were sacred.) These, it is theorized, are the Priestesses.

In many cultures, women were expected to know prayers/spells and make regular offering to the Gods to safeguard their homes and families. The Bronze Age was an age when many women died in childbirth (estimates rise as high as half) and miscarriages and stillbirths were common. Women employed amulets, prayers, and appeals to wise women to help them attract their love, inspire pregnancy, make the birth easy, keep the baby safe and more. These practices continued up through Roman times.

Christianity does not have priestesses. The only formal avenue for women in their worship is to become a nun. The spells, love potions, amulets and so one went underground, to women who became feared as witches.

In Ancient Crete, women would have been responsible for the prayers and sacrifices to keep their homes safe. Clearly, as shown by the above statue, there were other women whose responsibilities were far greater.

In In The Shadow of the Bull,

I imagined a class of Priestesses who lived separately and were responsible for all the rituals involving appeals to the Goddess. This was their profession. I suspect these women would have also attained a high degree of political power as well so, in my reconstruction of the world, I made the female ruler also the High Priestess with the others below her.

I will be taking a break for the next few weeks but I will return the last week of October.

Women’s work in Ancient Crete

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Women have always worked. And up until the modern era, their jobs they’ve done remained fairly consistent.

First and foremost, the care of children. The work that women have done has been tasks that can be scheduled around childcare.

Across cultures, women have been responsible for food production – babies can be brought to the garden – and clothing their families. Although men did some farming, they owned oxen, most of the crops they relied upon were not cereals but orchard crops such as olives and grapes.

Weaving, up until modern times, has always been one of a woman’s primary jobs. Without the textiles the women made, there would be no cloth. Flax – and linen – known since Neolithic times, was joined by wool. Wool is easy to work with since it has a little more stretch than linen. Wool comes in a variety of shades, black gray, cream and more. It takes dyes easily as well How can we be sure they were weavers? Spindles and looms weights have been discovered in the excavations. I saw them myself in Akrotiri, a town buried by ash and now being revealed.

The Minoan men traded these textiles all over the Mediterranean.

The designs were very complicated, so complicated we can only assume a long learning curve, especially if the patterns had to memorized. One of the popular patterns consisted of heart spirals set point to point with red diamonds in the center. Colored spirals were another favorite. How do we know this? Statuary and wall painting depict gorgeously clad women in elaborate clothing dancing, picking saffron, and more. And not just in Crete either. The patterns have been recorded by Egyptian artists.

No wonder Nephele, Martis’s mother is horrified when Martis refuses to become a weaver.

It was not until the Industrial Revolution and mechanization of weaving that hand weaving ceased to be an in-house task and a profession.

Next time: Priestesses.

Status of women in Bronze Age Crete

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One of the topics that came up regularly in my research concerned the status of women. Was this a matriarchal society that worshipped a Goddess? Did the women enjoy high status?

Here is what we know. The murals and the seals portray many women and on the seals the female figure is several times larger than the male figure.

As one might expect, scholars differed on the question. Some of the early archaeologists assert that women could not have had such high status because, well, they were women. How then to explain the prevalence of women in the murals? How to explain the large female figure in the seals?

One explanation is that this culture worshipped a Goddess, along with other Gods such as Poseidon and Dionysus. But the worship of a feminine Goddess did not translate into high status for women in general.

The discussion continues today with the disagreement over the gender of the bull leapers. A famous mosaic depicts both white and red figures jumping over the bull. Some scholars posit that the white figures were female, following the Egyptian fashion of painting male and female figures different colors. This theory is supported by the Greek myth of Theseus and the Minotaur in which seven girls and seven boys are sent to Knossos from Athens as tribute.

In my opinion, and based on the evidence offered by the mosaics, the seals and the myth ( the mainland Greeks tried to portray the Minoans in as negative light as possible), I believe women enjoyed a high status in this culture. Goddess worship is almost universally accepted.

Right or wrong, that is how I envision this culture in my mystery, In the Shadow of the Bull.

Women’s Rights in Early America

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The short comment on the title is that women had none. Although I would expect that wives had some input in their married lives and the lives of their children, legally they had none.

Women could not vote. The only people who could were white men, and white men with property at that. Women could not inherit from their husbands unless specifically mentioned in a husband’s will. If he did not mention her, she became the responsibility of her son. If the relationship was poor, he could, and frequently did, turn her own to starve on the road.

Women owned nothing. Although a woman might bring a dowry to a marriage, property of such, as soon as the marriage took place, the property became her husband’s. He could spend it as he wished, including on other women. If he chose to gamble it away, she had no legal recourse. (This, by the way, is a common trope in Regency and romance fiction.) One of the sources I read described a case of divorce. When the woman wished to remarry, she had to do so in her petticoat. Even the clothing on her back belonged to her husband and he refused to give her any of it. (This is why the farm Lydia owns becomes Rees’s after their marriage.)

Even her children belonged to her husband. In a dispute, he might remove them and forbid her to see them again. He usually chose his children’s spouses and determined where and when they were apprenticed.

Domestic abuse was not a crime. Although it was expected a husband would not beat his wife to death, English common law gave him the right to beat her with a stick no bigger than his thumb.

This is not a world I would ever wish to return to and it is certainly unfortunate that some people seem to think this is still the way the world should work.

One of the wonderfully progressive facts about the Shakers is that they believed in equality between the sexes. Although their work was divided by gender, and followed along traditional gender roles, women bore a equal share in the governance of the community. Education as well was offered to both boys and girls, a rarity at that time.