I am happy and so excited to announce that I have received the cover for the new Will Rees mystery – A Devil’s Cold Dish. The graphics arts department at Minotaur is so good. In my opinion, they have scored with every single cover.
Will and Lydia Rees return to Dugard after their adventures in Salem and find themselves in new trouble. Not only is Will accused of murder but Lydia finds her own life in danger.
Coming June, 2016
I ‘ve had a couple of questions about my most recent book, Death in Salem. Why didn’t I fully explore the witchcraft angle? Well, as I’ve said in earlier posts, Salem by 1797, was a very cosmopolitan city. It was not only the sixth largest, one of the most diverse (with the first East Indian immigrant populations in the US) but it was also the wealthiest. Salem’s witchcraft past was more an embarrassment.
House of one of the judges.
The witchcraft spell has never completely left Salem, however. On one of our tours, the guide was the descendent of one of the accused witches. Reminders of this past abound.
Graveyard includes memorials to those that were executed.
Although Salem became something other – a huge center of shipping and trading, however, the belief in witchcraft did not fade. In an earlier blog I wrote about trials that continued, right up to one in Russia in 1999.
And I wonder what is behind these accusations? Belief? Greed, malice, revenge? Hatred of women. With Gamer gate and all of the Internet attacks on women we certainly cannot discount that as a motive.
Christianity certainly plays a part.I think most of us are familiar with the quote from the Bible about not suffering a witch to live. During the middle ages and right up to modern times this has been used to execute any number of innocent people, primarily women.
I will blog in the future about my research into witchcraft and goddesses – I think the two are tied. I decided, that since I did not explore witchcraft and the psychologies behind it in Death in Salem, I would do so in the next book. That book, titled The Devil”s Cold Dish, will be coming out next year. Spoiler alert: it does not take place in Salem.
I am thrilled to announce that I have received my first copies of Death in Salem and they look stunning. Here is the cover:
The books look even better in real life. I will probably be having another Goodreads giveaway later in the summer.
To summarize the plot: Will Rees is on a weaving trip and stops in Salem to buy some imported cloth for Lydia. He gets stopped by a funeral and sees an old friend at the head. Anstiss Boothe, the deceased, has been ill a long time but the very next day her husband Jacob. a wealthy Salem merchant, is dead and this time it is clearly murder. Rees has already left Salem but his friend rides after him and draws him back to investigate.
Smuggling, piracy, prostitution, and of course all the dynamics of interpersonal relationships keep Rees investigating.
I had a lot of fun roaming Salem when I researched this book.
I am thrilled to announced that 880 people put their names in for “Death in Salem”. That is just about half the number in two weeks than “A Simple Murder” dd in four. Thanks everyone. Good luck!
I cracked the 500 level of requests. Yay! I am so close to 600 I am optimistic that I will cross that too. So, if you want a free book, put your name in. Reviews have been great.
Very excited to announce I have broken the 300 mark. Can I reach 400 requestors?
So far about 275 people have requested a copy of my new book. I am surprised it isn’t more; for “A Simple Murder” there were many more requests. Of course it does mean that those who have put in their names have a better chance. But you can’t win it, if you aren’t in it.
The New York State Museum has been running a variety of programs relating to the Shakers (which settled first near Albany. The village, called Niskayuna and then Waterlviet, is so close to the airport that some of the fields now lie under runways. But I digress)
This past Saturday, the Museum held a program featuring Shaker songs and the dances – if they can be called that – that were a part of the Shaker services. Not for the Shakers did a service consist of sitting in a pew. Although the songs and movements chosen for audience participation were simple – had to be I think – it was pretty clear to me that the services must have been physically demanding. Considering they were farmers, they must have been in good shape!
The service was engaging and I did not expect to be as moved as I was.
The Museum has a number of other programs this spring. I know I can’t participate in all of them – I don’t get out of work until after 4 – I am hoping to attend some of the others. This fascinating group was so much more than furniture – as perfect as it was.
I am so excited I don’t think there is a word. Unless I use the slang chuffed, common in the UK. With two days to go, I have 1242 requests. Wow.
Why am I interested in tarot? These cards have been around since the mid 1500s. They were used as playing cards and like our deck, they had suits.
But aren’t they used for divination? That is certainly what I was most familiar with them as. Certainly, their use for that purpose is documented from about 1540. Manuscripts from shortly after document a system for laying out the cards. According to Wikipedia “Giacomo Cassanova wrote in his diary that in 1765 his Russian mistress frequently used a deck of playing cards for divination
Antoine Court de Gébelin, a French-born Protestant pastor and Freemason, published a dissertation on the origins of the symbolism in the Tarot in volume VIII of his unfinished fifteen volumes of the Le Monde Primitif. De Gébelin, who never knew the Tarot as the thought the Tarot represented Egyptian theology including Isis and Osiris. For example, he thought the card he knew as the Papesse and known today as the high priestess represented Isis.
The 1700s saw a rebirth of the circus.
I say rebirth because the kind of performances one thinks of have a long long history. The Egyptians had a tradition of acrobatics and juggling and they passed that onto the Greeks and the Romans. And these itinerant performers, called funanbuli – literally rope dancers – traveled throughout the expansive empire. During the middle ages, all the fairs boasted performers: jugglers and the like.
But all of this ceased in Great Britain and then in the new country with the Puritans who thought performances of all kinds were works of the Devil. Theaters in New England were forbidden right up until the late 1700’s. But in Europe traveling performers continued. In 1768 Sergeant-Major Philip Astley began exhibiing his equestrian prowess outside of London. Other equestrian acts followed. He called it a ‘circus’, the Latin word for circle because the riders rode around a ring. He struck gold. In 1779 he built a riding school. His ampitheater became the model for circuses everywhere.
At first these circuses were primarily exhibitions of trick riding but gradually acrobats, jugglers, rope dancers – tightrope walkers – were added. Family dynasties of circus performers were born.
A pupil of his, John Bill Ricketts, brought the circus to America. He first began a riding school in Philadelphia in 1792. It was wildly successful; people were hungry for entertainment. By 1793 he had begun bringing over European performers – including acrobats, clowns and rope dancers.
Other entrepreneurs followed suit, including a farmer from Brewster, New York , who found an elephant somewhere and brought it on tour. The display of exotic animals had been popular as early as the Bronze Age but this was a first in the U.S. Animal acts, primarily using dogs and pigs, followed.
Since tarot had been popular in Europe for centuries and had been used almost as long for divination, I wonder if some of these early circus performers didn’t bring the cards with them. Tarot would have predated the stereotypical circus fortune teller with the glass ball.
Now, with our jaded sensibilities, it is hard to imagine how exotic and wonderful these early circuses appeared. Farmers knew horses but not ones who allowed riders to stand on their backs. Pigs and dogs, animals they saw every day, performed the most amazing tricks. And any fortune telling would have seemed truly magical.