I had a great time discussing A Circle of Dead Girls.
For the audio or written versions, here are the links.
Here is the link for Fran’s written summary: https://tillie49.wordpress.com/2020/10/06/the-circle-of-dead-girls/
And the link to the show. https://www.blogtalkradio.com/fran-lewis/2020/10/07/circle-of-dead-girls
Since the rebirth of the circus in Great Britain was begun as an equestrian show, it is no surprise than many animal species have long been the stars of the animal world. At first, the horse was supreme. Horse acts continued right through to the modern age.
But, along with clowns and acrobats, animals acts were added to entertain the audience between equestrian feats. And, before the exotic animals became a feature of the circus (the elephant was first brought to the United States in 1794), dogs, pigs and bears were pressed into service as acts. Again, similar to the horse, these animals have continued to mainstays of the circus.
Almost from the first, less common animals were featured. In 1779, Philip Astley (a Serjeant-Major who set up the first circus in Great Britain after a century), put a zebra on display. Other exotics, elephants, camels, monkeys, and eventually the big cats were added to the exhibitions.
With the expansion of the European powers into Africa, the types of animals employed expanded. Wild animals, especially the big cats, became a profitable business. It was not a big jump from exhibiting the animals to including them to performances. To the acrobats, jugglers and ropedancers was now added a menagerie of animals, many of them dangerous. Of course, with the animals, came animal trainers.
Some of these animal performers became big stars. In the 1940’s Jumbo, the elephant became so popular that jumbo, meaning colossal, became part of the language.
The circus comes to town in Circle of Dead Girls.
Although there was no canvas tent (not invented for another twenty+ years), no exotic animals (the first circuses used pigs, horses and dogs) or trapeze artists, there were clowns.
The ancient Greeks used figures of fun, which were rustic fools. The English word for clown also meant rustic fool originally. These characters are plentiful in Shakespeare’s plays.
At the same time, the Italian Commedia del’arte used a number of stock characters that includes clown-like figures: Pierot and Harlequin.
Clowns have certain evolved since then.
The clown in the American circus is a direct outgrowth of Philip Astley, who restarted the circus in England in 1768. His circus was originally an equestrian show and clowns were used as the breaks between the trick riding.
The circus comes to town in Circle of Dead Girls.
Although there was no canvas tent (not invented for another twenty+ years), no exotic animals (the first circuses used pigs, horses and dogs) or trapeze artists, there were clowns.
The ancient Greeks used figures of fun, which were rustic fools. The English word for clown also meant rustic fool originally. These characters are plentiful in Shakespeare’s plays.
At the same time, the Italian Commedia del’arte used a number of stock characters that includes clown-like figures: Pierot and Harlequin.
Clowns have certain evolved since then.
The clown in the American circus is a direct outgrowth of Philip Astley, who restarted the circus in England in 1768. His circus was originally an equestrian show and clowns were used as the breaks between the trick riding.
Why did I include the Tarot in A Circle of Dead Girls? The short answer is I wanted to be able to comment on the action and on Rees’s investigation in an oblique way. Although Bambola is the character who believes in the cards, she also does not listen to what they are saying to her. And Rees, although he is skeptical of anything that is not concrete, is surprised by the accuracy of some of the readings.
Do I believe? Well, I have friends who do. The readings they have done for me have sometimes been surprisingly accurate. So how does one align something that purports to foretell the future with the practicalities of the here and now?
I believe that some people are unusually intuitive. We all use non-verbal clues to understand another person’s distress, anger or joy. Some of us are amazingly good at that. I suspect that the cards allow this intuitive reader to focus and, in doing so, really hone in on the person sitting on the other side of the table and understand far more about them than they might consciously.
One further note about the tarot my mystery. Bambola associates justice with Rees. I would postulate that most of the protagonists in mystery novels have that passion. They don’t give up even when threatened with death. And a good thing for those of us who love reading mystery novels.
In A Circle of Dead Girls, Will Rees meets a character who uses tarot cards for divination.
I’ve gotten a couple of questions about whether Tarot cards were even around then. Weren’t they all the rage in the sixties?
The cards were actually popularized (for the first time!) in the 1400s and were used as, well, playing cards. There were four suits. The ‘trump’ cards were added later. It is thought that tarot cards came from Egypt.
By the mid-eighteenth century, the tarot cards were being used for divination. The first deck specifically created for divination was produced in 1789. There have been successive waves of interest since then and yes, the late sixties saw saw a surge.
So it is perfectly possible that Rees would have seen a deck of tarot cards, especially from someone of Italian extraction.
Why did I choose to use the tarot and the more occult use of tarot? Will Rees, after all, is a character with his feet firmly rooted in the practical. Did I include a supernatural element to this mystery? After all, Rees is astonished by the accuracy of some of Bambola’s readings. Although I left the door open for that interpretation, I chose that mechanism to show something of Bambola’s character. She believes in the readings but ignores what they say to her.
Although I planned to schedule the giveaway to hit just before the release date – March 3 – the book is available now!
So sign up for you copy on Goodreads.
The circus has come to town. Rees drives in to see a performance but sees his old nemesis, Magistrate Hanson, instead. Returning home, Rees meets up with a group of Shakers who are searching for a missing girl. Rees agrees to help search – and they find the girl’s murdered body in a field.
So excited to announce several events.
On Sunday, January 12, I will be speaking at the East Fishkill Public Library at 1:30.
In February, February 8 to be exact, I will be speaking at Goshen Public Library.
Also, in preparation for the release of the next Will Rees: A Circle of Dead Girls,
I will be holding a Giveaway for Simply Dead throughout January on Goodreads.
In February, look for a giveaway for A Circle of Dead Girls.
Another
But the publication day last Friday was in Great Britain. Publication of the new Will Rees in the United States does not occur until the beginning of March.
The circus is coming to town. Although primitive by our standards – the circus would not even have had a canvas big top – in 1800 where entertainment options were few, the circus would have been huge. No trapeze artists, but there would be a high wire act, a clown, maybe a magician and also animal acts. Not lions or even elephants, but the more common animals such as horses, dogs, and pigs.
Who could blame the children from being excited – even the children living with the Shakers. Sadly, only the boys would be allowed inside, and the men, as women were not permitted to view such frivolity.
Circuses also provided a haven for refugees. This was only 7 years after the French Revolution and Napoleon was marching across Europe with his armies.
One of the main characters in A Circle of Dead Girls is a tightrope walker, Called rope dancers, the tightrope walkers have been a feature of the circuses for centuries. The Romans called them funambulists.
My rope dancer is nicknamed Bambola, a name that I borrowed from a famous Italian tightrope walker. These aerialists have always been popular acts. I imagine the excitement in a small farming community at seeing this act would have been high.
Many of the rope dancers were women but not all. In fact, as the circuses traveled around, dynasties that were known for aerial acts formed and became famous in their own right.
Will Rees and others in the audience of that time would not have seen an act that became arguably the most popular of all: the trapeze artists. The trapeze was developed from the tightrope; more accurately from a slack rope that the artist then hung from. The first tricks were done from a static trapeze; a rope that hung without moving. The flying trapeze was not invented until the mid-1800s by a young aerialist: Jules Leotard. He invented it by practicing over his father’s swimming pool.
For many decades, the flying trapeze was one of these most popular acts ever.